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Performing Arts Chapter 0 Notation Pitch And Rhythma What Clef And What Does Tell You
B. Identifying Note Names | 3 NAME: A. QUESTIONS FOR REVIEW 1. What is a clef and what does it tell you? How do you write a treble clef and what does it indicate? A bass clef ? 2. What […]
Performing Arts Chapter 1 Scalesa What The Order Whole Tones And Semitones Major Scale Natural
B. Writing Major Scales | 13 NAME: A. QUESTIONS FOR REVIEW 1. What is the order of whole tones and semitones in a major scale? In a natural minor scale? In a harmonic minor scale? In an ascending melodic minor […]
Performing Arts Chapter 10 The Dominant Seventh Chord What Are The Two Tendency Tones Within
B. Spelling Chords | 117 NAME: A. QUESTIONS FOR REVIEW 1. What are the two tendency tones within V7? In which direction do they each lead? 2. In a V7–I progression in four-part harmony, which chord tone may be omitted […]
Performing Arts Chapter 11 And Which Chords May Follow The Chords Discussed Far And Which
NAME: B. I 6 | 131 A. QUESTIONS FOR REVIEW 1. Which chords may follow I6? Of the chords discussed so far (I, V, V7, and V6), which ones typically precede I6? Which chords do not? 2. Of the chords […]
Performing Arts Chapter 12 And What Chord Member Root Third Fifth Seventh The Bass What
B. Spelling Chords | 145 NAME: A. QUESTIONS FOR REVIEW 1. What chord member (root, third, fifth, or seventh) of V7 is in the bass of V6 5? What scale degree is in the bass of V6 5? 2. What […]
Performing Arts Chapter 13 And Vii What Note The Chordroot Third Fifth Seventhis The Bass
B. Preliminary Exercises | 159 NAME: A. QUESTIONS FOR REVIEW 1. What note of the V7 chord — root, third, fifth, or seventh — is in the bass of V4 3? 2. In what ways are V4 3 and vii.6 […]
Performing Arts Chapter 14 Approaching The Dominant And Iia What And Have Common Minor Keys
B. Realizing Roman Numerals | 173 NAME: A. QUESTIONS FOR REVIEW 1. What do IV, ii6, and ii6 5 have in common? 2. In minor keys, what is the quality of the triad whose root is ˆ 4, with the […]
Performing Arts Chapter 15 Embellishing Cadential What Scale Degree The Bass Cadential What Intervals Appear
B. Realizing Roman Numerals | 189 NAME: A. QUESTIONS FOR REVIEW 1. What scale degree is in the bass of a cadential 6 4? What intervals appear above the bass? 2. What chord(s) should directly follow a cadential 6 4? […]
Performing Arts Chapter 16 Leading The Tonic Iva What Are Some Common Progressions That Involve
B. Realizing Roman Numerals | 205 NAME: A. QUESTIONS FOR REVIEW 1. What are some common progressions that involve IV moving directly to a tonic chord? 2. What are some melodic patterns that are harmonized with I – IV – […]
Performing Arts Chapter 17 The Leadingtone Seventh Chord Vii And Vii What The Function Vii
B. Spelling Chords | 215 NAME: A. QUESTIONS FOR REVIEW 1. What is the function of vii.7? 2. What chord tone (root, third, fifth, or seventh) of vii.7 needs an accidental in major keys? In minor keys? 3. How many […]
Performing Arts Chapter 18 Approaching And Iva What The Function And What Type Chord They
B. Spelling Chords | 225 NAME: A. QUESTIONS FOR REVIEW 1. What is the function of IV6, ii, ii7, and IV7? To what type of chord do they lead? 2. In major keys, what note(s) of IV6 may be doubled? […]
Performing Arts Chapter 19 Multiple Functions Via What Chords Typically Follow What Chords Not Typically
B. Realizing Roman Numerals | 241 NAME: A. QUESTIONS FOR REVIEW 1. What chords typically follow vi? 2. What chords do not typically precede vi? 3. When voice leading between two root-position chords a third apart in four-part harmony, how […]
Performing Arts Chapter 2 Intervalsa How You Determine The Size Interval What Melodic Interval Harmonic
A. Questions for Review | 25 NAME: A. QUESTIONS FOR REVIEW 1. How do you determine the size of an interval? 2. What is a melodic interval? A harmonic interval? 3. What is the difference between simple and compound intervals? […]
Performing Arts Chapter 20 Voice Leading With Embellishing Tonesa What Ways Might Embellishing Tones Create
B. Adding Embellishments | 257 NAME: A. QUESTIONS FOR REVIEW 1. In what ways might embellishing tones create parallel fifths and octaves? 2. In what situations can adding an embellishing tone eliminate parallel fifths or octaves? In what situations does […]
Performing Arts Chapter 21 Iii And Viia What Chord Similar Iii Iii What Are The
B. Realizing Roman Numerals | 269 NAME: A. QUESTIONS FOR REVIEW 1. What chord is similar to iii? “iii6”? What are the standard uses of iii and “iii6”? 2. How is ˆ 7 treated differently within a iii chord than […]
Performing Arts Chapter 22 Sequencesa What Sequence What Are Some Chords And Chord Successions That
B. Melodic Sequences | 273 NAME: A. QUESTIONS FOR REVIEW 1. What is a sequence? 2. What are some chords and chord successions that are allowed within sequences but not common within functional progressions? Why are they allowed within sequences? […]
Performing Arts Chapter 23 Other Chordsa What Pedal Chord What Passing Chord What Arpeggiated Chord
B. Realizing Roman Numerals | 289 NAME: A. QUESTIONS FOR REVIEW 1. What is a pedal 6 4 chord? 2. What is a passing 6 4 chord? 3. What is an arpeggiated 6 4 chord? B. REALIZING ROMAN NUMERALS 1. […]
Performing Arts Chapter 24 Other Embellishing Chordsa What Embellishing Chord What Are Some Examples Standard
B. Realizing Roman Numerals | 297 NAME: A. QUESTIONS FOR REVIEW 1. What is an embellishing chord? 2. What are some examples of standard functional harmonic progressions that involve embellishing chords? 3. When can IV6 follow V? 4. When can […]
Performing Arts Chapter 25 Applied Dominants What Scale Degree The Root What Quality Triad Major
B. Notating V/V | 311 NAME: A. QUESTIONS FOR REVIEW 1. What scale degree is the root of V/V? 2. What quality of triad (major, minor, or diminished) is V/V? What quality of seventh chord (diminished, half-diminished, minor, dominant, major) […]
Performing Arts Chapter 26 Other Applied Chordsa How You Determine What Note Should The Root
NAME: B. Spelling Applied Dominants | 325 A. QUESTIONS FOR REVIEW 1. How do you determine what note should be the root of an applied V chord? How do you figure out what note should be the root of an […]
Performing Arts Chapter 27 Modulation The Dominant Keya What Modulation What Main Key When Modulating
B. Determining Possible Pivot Chords | 343 NAME: A. QUESTIONS FOR REVIEW 1. What is a modulation? 2. What is a main key? 3. When modulating to the key of V, what scale degree should you raise? This raised note […]
Performing Arts Chapter 28 Modulation Closely Related Keysa What Closely Related Key How Can You
B. Determining Closely Related Keys and Pivot Chords | 363 NAME: A. QUESTIONS FOR REVIEW 1. What is a closely related key? 2. How can you tell that a modulation to a new key has occurred? 3. What changes when […]
Performing Arts Chapter 29 Modal Mixturea What Modal Mixture Why Motion Between Parallel Major And
B. Spelling Borrowed Chords | 381 NAME: A. QUESTIONS FOR REVIEW 1. What is modal mixture? 2. Why is motion between parallel major and minor keys not considered to be modulation? 3. What is a borrowed chord? 4. What scale […]
Performing Arts Chapter 3 Triads And Seventh Chordsa Name Each The Triad Qualities What Are
B. Identifying Triad Quality | 35 NAME: A. QUESTIONS FOR REVIEW 1. Name each of the triad qualities. What are the qualities of the thirds and fifths they contain? 2. What note of the chord (root, third, or fifth) is […]
Performing Arts Chapter 30 The Neapolitan Sixtha What Another Name For The Bii Chord Does
NAME: B. Spelling bII6 Chords | 393 A. QUESTIONS FOR REVIEW 1. What is another name for the bII6 chord? 2. Does bII6 have a Tonic, Dominant, or Subdominant function? 3. What scale degree is the root of a bII6? […]
Performing Arts Chapter 31 Augmented Sixth Chordsa What Are The Scale Degrees The Tendency Tones
B. Spelling Augmented Sixth Chords | 407 NAME: A. QUESTIONS FOR REVIEW 1. What are the scale degrees of the tendency tones in an augmented sixth chord? In which voice(s) can they each appear (soprano, alto, tenor, bass)? In which […]
Performing Arts Chapter 32 Other Chromatically Altered Chordsa When Does Chromatic Alteration Chord Tones Not
B. fiSpelling Chords | 419 NAME: A.fiQUESTIONS FOR REVIEW 1. When does chromatic alteration of chord tones not involve a change of key or modal mixture? 2. Does chromatic alteration of chord tones change the quality of a chord? Does […]
Performing Arts Chapter 33 Chromatic Sequencesa Sequence Why Can Follow Vii Sequence Consisting Entirely Dominant
B. Realizing Roman Numerals | 431 NAME: A.ffQUESTIONS FOR REVIEW 1. In a sequence, why can V/V follow V/ii? 2. In a sequence consisting entirely of dominant seventh chords, how do leading tones move? Chordal sevenths? 3. How do strict […]
Performing Arts Chapter 34 Chromatic Modulationa What Are Distantly Related Keys What Are Some Examples
B. Notating Chromatic Pivot Chords | 445 NAME: A. QUESTIONS FOR REVIEW 1. What are distantly related keys? 2. What are some examples of chromatic pivot chords? 3. What is a common- tone modulation? B. NOTATING CHROMATIC PIVOT CHORDS 1. […]
Performing Arts Chapter 35 Name Sentences And Other Phrase Typesa Ion What Sentence What Are
B. Composition | 461 NAME: A. QUESTIONS FOR REVIEW 1. What is a sentence? What are its sections? 2. What does a presentation consist of ? How does it differ from the segment that follows it? 3. In a typical […]
Performing Arts Chapter 36 Consequent Pac Period Type Sequential Modulation Measures Antecedent Measures Consequent Scott Joplin
NAME: (consequent) PAC period type: sequential modulation? no no. of measures in antecedent = 4 mm. no. of measures in consequent = 4 mm. q. Scott Joplin, “The Entertainer” antecedent consequentHC PAC period type: parallel modulation? no no. of measures […]
Performing Arts Chapter 36 Pter Periods And Other Phrase Pairs Chaa What Parallel Period How Different
B. Composition | 477 NAME: A. QUESTIONS FOR REVIEW 1. What is a parallel period? How is it different from a sequential period? From a contrasting period? 2. What is an antecedent? What types of cadences may be found at […]
Performing Arts Chapter 37 Name Binary Forma Quest Ions For What Binary Form What The
B. Composition | 501 NAME: A. QUESTIONS FOR REVIEW 1. What is binary form? 2. What is the difference between rounded, balanced, and simple binary forms? 3. In what ways are rounded, balanced, and simple binary forms analogous to parallel, […]
Performing Arts Chapter 38 Name Ternary And Rondo Formsa Ion Using Letters Show The Thematic
B. Composition | 513 NAME: A. QUESTIONS FOR REVIEW 1. Using letters, show the thematic scheme of ternary form. 2. Why is A B C form not an example of ternary form? 3. How does ternary form differ from rounded […]
Performing Arts Chapter 39 Measure Marks The Start New Subsection Beginning The Key Min And Leading
544 | CHAPTER 39 | Sonata Form measures. Recapitulation • primary theme: begins in measure 91 in the key of E. How does the primary theme differ here from its appearance in the exposition? left-hand texture/figuration, forte dynamics • transition: […]
Performing Arts Chapter 39 Pter Sonata Form Chaa What Are The Three Large Sections Sonata Form
B. Composition | 527 NAME: A. QUESTIONS FOR REVIEW 1. What are the three large sections of sonata form? 2. How is sonata form similar to rounded binary form? 3. What are the parts of a sonata exposition? What keys […]
Performing Arts Chapter 4 Fourpart Harmonya Satb Format Which Voices Are Written Treble Clef Which
A. Questions for Review | 51 NAME: A. QUESTIONS FOR REVIEW 1. In SATB format, which voices are written in treble clef ? Which voices are in bass clef ? Which voices are stemmed upward? Which voices are stemmed downward? […]
Performing Arts Chapter 40 Collections And Scales Diatonic And Pentatonica What Collection What Scale What
B. Writing Scales | 563 NAME: A. QUESTIONS FOR REVIEW 1. What is a collection? What is a scale? 2. What is a diatonic collection? How many are there? How are they labeled? How many scalar orderings are there? How […]
Performing Arts Chapter 41 Collections And Scales Octatonic Hexatonic And Wholetonea What Octatonic Collection How
A. QUESTIONS FOR REVIEW | 573 NAME: A. QUESTIONS FOR REVIEW 1. What is an octatonic collection? How many octatonic collections are there? How are they labeled? What is the interval pattern for an octatonic scale? How many scalar orderings […]
Performing Arts Chapter 42 Pter Triadic Posttonality Chaa What Triadic Transformation What Slide What Effect Does
B. Writing Triadic Transformations | 589 NAME: A. QUESTIONS FOR REVIEW 1. What is a triadic transformation? What is L? P? R? SLIDE? What effect does a triadic transformation have on the quality of a major triad? On a minor […]
Performing Arts Chapter 42 What Collection Formed The Roots The Triads Pentc What Collection Scale Formed
• What collection is formed by the roots of the triads in mm. 1–6? PENTC • What collection or scale is formed by the vocal melody in mm. 7–10? PENTC • What collection or scale is formed by the vocal […]
Performing Arts Chapter 43 Intervalsa What Enharmonic Equivalence What Pitch How Many Different Pitches Are
B. Identifying Intervals | 615 NAME: A. QUESTIONS FOR REVIEW 1. What is enharmonic equivalence? 2. What is a pitch? How many different pitches are represented on the piano keyboard? 3. What is an ordered pitch interval? An unordered pitch […]
Performing Arts Chapter 44 Name Pitchclass Sets Trichordsa Ion For What Pitchclass Set What Trichord
B. Normal Form | 627 NAME: A. QUESTIONS FOR REVIEW 1. What is a pitch-class set? What is a trichord? 2. What is a normal form? How do you find it? 3. How do you transpose a set? How do […]
Performing Arts Chapter 45 Inversional Symmetrya What Wedge Progression What Expanding Wedge Progression Con Tracting
B. Wedge Progressions | 645 NAME: A. QUESTIONS FOR REVIEW 1. What is a wedge progression? What is an expanding wedge progression? A con- tracting wedge progression? 2. What is an axis of pitch inversion? What must be true about […]
Performing Arts Chapter 46 Pter Twelvetone Serialism Chaa What Twelvetone Series What Twelvetone Music What Are
B. Series Forms | 659 NAME: A. QUESTIONS FOR REVIEW 1. What is a twelve-tone series? What is twelve-tone music? 2. What are the four orderings of a twelve-tone series? How do they compare to each other in pitch? in […]
Performing Arts Chapter 46 The Two Halves The Piece Have Different Axes Inversional Symmetry And Draw
NAME: • The two halves of the piece have different axes of inversional symmetry: T0I and T6I. Draw those axes on these pitch-class clockfaces. How are the axes of symmetry manifested in the music? Do they receive any special treatment? […]
Performing Arts Chapter 47 Pter Form Chaa What Traditional Tonal Sentence How Are Post Tonal Sentences
A. Questions For Review | 683 NAME: A. QUESTIONS FOR REVIEW 1. What is a traditional tonal sentence? How are post- tonal sentences different from tonal sentences? What is a dissolving sentence? An immobilized sentence? 2. What is a traditional […]
Performing Arts Chapter 47 The primary theme lasts for eight measures, and is followed by a modified
D. Analysis: Sonata Form | 699 NAME: conharm2_ch47_wkbk_inst_683-714.indd 699 21/08/19 3:42 PM 700 | CHAPTER 47 | Form conharm2_ch47_wkbk_inst_683-714.indd 700 21/08/19 3:42 PM D. Analysis: Sonata Form | 701 NAME: conharm2_ch47_wkbk_inst_683-714.indd 701 21/08/19 3:42 PM 702 | CHAPTER 47 | […]
Performing Arts Chapter 5 Voice Leadinga What Melodic Intervals Are Most Common Upper Voices What
B. Motion between Intervals | 61 NAME: A. QUESTIONS FOR REVIEW 1. What melodic intervals are most common in upper voices? What is the largest melodic interval allowed (occasionally) in an upper voice? What melodic intervals should be avoided in […]
Performing Arts Chapter 6 Harmonic Progressiona What Musical Phrase With What Chord Does Phrase Normally
A. Questions for Review | 73 NAME: A. QUESTIONS FOR REVIEW 1. What is a musical phrase? 2. With what chord does a phrase normally begin? With what chords does a phrase usually end? 3. What is a half cadence […]
Performing Arts Chapter 7 Melodic Elaborationa What Arpeggiation What Octave Doubling Does Create Forbidden Parallel
B. Arpeggiation | 79 NAME: A. QUESTIONS FOR REVIEW 1. What is an arpeggiation? 2. What is octave doubling? Does it create forbidden parallel octaves? 3. In what three ways may an embellishing tone be approached or left? 4. What […]
Performing Arts Chapter 8 Name Species Counterpointa Ion What Species Counterpoint What First Species What
A. Questions for Review | 87 NAME: A. QUESTIONS FOR REVIEW 1. What is species counterpoint? What is first species? What is second species? What is fourth species? 2. In first species, what harmonic intervals are allowed between the two […]
Performing Arts Chapter 9 In voice leading between I and V, how should you handle the upper voices
B. Spelling I and V | 105 NAME: A. QUESTIONS FOR REVIEW 1. In voice leading between I and V, how should you handle the upper voices? 2. When is it typical for the upper voices to move by leap? […]