Student Handout 1: CULTURAL CAPITAL: AN ALTERNATE VIEW OF SOCIAL
STATUS
The traditional view of social class structure is based on the presumption that societies segregate into
differential reputational groupings based on economic position and on noneconomic criteria such as
morals, culture, and lifestyle that are sustained because people tend to interact with their social peers. The
basis for this research was “a Rockwellian image of small town life that represents a minuscule and
declining fraction of the contemporary United States….Status construction now must deal with the
tremendous geographic mobility of American professionals and managers, the privatization of social life,
the proliferation of media and travel, and the anonymity of urban environments….”
A high level of cultural capital is acquired in upbringing in families with well-educated parents whose
occupations require cultural skills, interaction with peers from similar families, high levels of formal
education at institutions that attract other cultural elites studying areas that emphasize critical abstract
thinking and communication over the acquisition of particularized skills and knowledge. These
reinforcing experiences become embodied as ways of feeling thinking, and acting.
implies that the owner has the background and skills necessary to understand and appreciate the art.
The tastes of individuals low in cultural capital are organized to appreciate that which is practical; goods,
services, and skills are valued for their functional benefits. Corporeal pleasures are preferred. As an
example, these individuals want their houses and furnishings to be comfortable, functional, durable, and
easy to care for. In contrast, the tastes of individuals high in cultural capital center on abstract benefits and
self-expression. They view their homes as canvasses upon which they express their aesthetic sensibilities.
REVIEW QUESTIONS
1) What are demographics?