Journalism Chapter 9 Homework Dialogue spots, using drama and comedy to sell the product, became prominent in the 1930s. Elaborate sound effects, actors, and orchestras were employed

subject Type Homework Help
subject Pages 9
subject Words 658
subject Authors Bruce Mims, John Allen Hendricks

Unlock document.

This document is partially blurred.
Unlock all pages and 1 million more documents.
Get Access
Chapter 9: Radio Production
The Radio Station
Chapter 9: Highlights
page-pf2
The first radio commercials aired in 1922.
Early commercials were live readings: no music, sound
effects, or singing.
Dialogue spots, using drama and comedy to sell the
page-pf3
The copy, delivery, and mixdown of commercials must be adapted
to match the station’s format to avoid audience tune-out.
The production director (imaging director) records voice tracks,
mixes commercials, PSAs and station-imaging content. The
page-pf4
The production director usually answers to the program director and
works closely with the copywriter and the traffic manager.
For ease of movement and accessibility, both on-air and production
studio equipment are arranged in a U-shape. The equipment and
cabinetry can be configured to accommodate announcers who either are
standing or seated.
page-pf5
When operating the console in cue or preview mode,
the operator can listen privately to various audio
sources without channelling them through an output.
page-pf6
Audio processors, samplers, digital carts, and MIDI enhance a radio
production studio’s product. Virtual processing effects are available
in software such as Adobe Audition and Pro Tools, which have
these features built in.
page-pf7
Telephone technology has been central to the operation of radio
stations since the beginning. Telephone equipment is central to
the operation of talk-intensive formats.
Remote broadcasting is common and remains a widespread
practice for news and sports coverage, and entertainment-
page-pf8
Digital audio workstations, which rely on computer technology and
software (Pro Tools and Adobe Audition are very popular), are currently
used in a vast number of radio production studios.
The station copywriter, who writes the commercials, promos, and PSAs,
must be familiar with the intended audience and the product being sold.
page-pf9
The practice of voice-tracking is reducing the number of
announcing jobs. More and more, local station announcing
originates elsewhere, especially in cluster operations and
when stations are a part of major station groups.

Trusted by Thousands of
Students

Here are what students say about us.

Copyright ©2022 All rights reserved. | CoursePaper is not sponsored or endorsed by any college or university.