3. Hsien Hu (1944) defines lien as something that “represents the confidence of
society in the integrity of the ego’s moral character, loss makes it impossible to
function within the community.”
4. Mien stands for the type of prestige that is emphasized in the United States,
reputation and success.
5. Masumoto, Oetzel, Takai, Tingtoomey, and Yokochi (2000) define facework
as the communication strategies one uses to enact self-face and uphold or
challenge another’s face.
6. Raymond Cohen (1997) examples of losing face
a. rebuffed overture;
b. insult;
c. lack of respect;
d. forced to give up a cherished value;
e. unnecessary concessions;
f. failure to achieve goals;
g. personal inadequacy;
h. damage to a valued relationship.
II. Perception
A. Sensing
1. Early 20th-century quantum mechanics posits that on a subatomic level the
observer is an active part of the observed.
2. Wexler (2008) wants us to recognize how integrate our minds are to the
external world.
4. Sensation: The neurological process by which we become aware of our
environment.
5. Gordon (1971) explains human sight, sound, taste, smell, and touch are the
most studied.
6. William James, pioneering psychologist, explained that sensory data do not
come to us “ready–made” but in an “unpackaged” state, and we assemble the
rules and meaning according to our culture.
7. The Greeks had Aristotle and the Chinese had Confucius
a. Ancient Greeks had a strong sense of individual identity with a sense of
personal agency.
b. Chinese thought views things in their context and elements as constantly
changing and rearing themselves.
B. Effect of Culture on Sensing
1. Individuals raised in diverse cultures can sense the world in different ways.
2. Marshal Segall, Campbell, and Herskovits (1966) found people living in
forests, and rural areas can sense crooked lines more accurately than people
living in urban areas.
3. Field Dependence refers to the degree to which perception of an object is
influenced by the background or environment in which it appears.
4. Japanese look at the relationship to objects in a scene.
5. Americans focus on the description of a scene.