Student Resource
Gamble, The Public Speaking Playbook, 2nd Edition
SAGE Publishing, 2018
gestures are stiff and unnatural will be seen as uptight, non-dynamic, and
unsure.
3. Illustrators are the types of gestures that can clarify, reinforce, describe
or demonstrate the meaning of words.
4. Emblems are the nonverbal messages that have a direct verbal
translation and used and understood by the members of a culture.
5. Gestures should be natural, spontaneous, and consistent with the
message.
B. Posture or the position of your body in space conveys to the audience how a
speaker is feeling.
1. Speakers who lean toward an audience are perceived more positively
than those who lean away.
2. Speakers who stand tall with shoulders squared send a message of
strength to an audience.
C. Audiences use a speaker’s facial cues to determine the speaker’s motive.
1. Facial cues should be natural.
a. When intensifying an emotion, a speaker should exaggerate
facial expressions to reflect the degree of expression that the
audience would deem as appropriate.
b. When de-intensifying an emotion, a speaker should diminish
facial expressions so that the audience will judge the behavior as
acceptable.
c. When neutralizing an emotion, a speaker should suppress
feelings to suggest inner strength and resilience to listeners.
d. When masking an emotion, a speaker should replace one
emotion with another that you believe the audience will respond to
more favorably.
e. An expressionless face will also work against a speaker because
it will fail to communicate goodwill or sincerity.
f. Eye contact has the greatest degree of impact on the relationship
between a speaker and an audience.
i. Eye contact signals that the lines of communication are
open between the audience and speaker.
ii. Eye contact reduces the distance between speakers and
listeners.
iii. Eye contact allows the speaker to obtain information
from the audience about how the speech is coming across.