COMM5 Instructor Manual Chapter 14
14-4
Bad Words (2014)
Rated: R (language, brief nudity, crude and sexual content)
Synopsis: Even though Guy Trilby possesses a photographic memory, he is without a high-
school education, which makes him eligible to participate in spelling bees intended for
children. As he steamrolls his junior competition on his way to the national championship,
he befriends a young Indian-American contestant, and through their relationship the movie
explores the power of words individually, in context, and as meaningful language.
Questions for discussion
1. Describe the ways in which Guy violates conventions of linguistic sensitivity. What is the
effect of him doing so on how you feel about the characters? On the plot?
2. How do Guy and Chaitanya use language to find a common ground with each other?
Additional suggested movies: Mr. Holland’s Opus (1996) (audience adaptation); Norma
Rae (1979) (Reuben Warshovsky’s address to plant workers on unions: verbal adaptation)
Diverse Voices
Public Speaking Patterns in Kenya
by Ann Neville Miller
One of the major differences in adapting to different groups is understanding their
expectations and their reactions to your words. In this excerpt, Ann Neville Miller describes
the different purposes of public speaking in Kenya and how those purposes influence how
Kenyan speakers adapt their words to the expectations of their audiences.
Much public speaking in the United States is informative or persuasive in purpose;
ceremonial occasions for public speaking are less common. This is due, in part, to the stress
that mainstream U.S. culture places on informality. The average Kenyan, in contrast, will
give far more ceremonial speeches in life than any other kind of speech. These may be
speeches of greeting, introduction, tribute, and thanks, among others. Life events, both
major and minor, are marked by ceremonies, and ceremonies occasion multiple public
speeches.
This means that, unlike the majority of people in the United States, who report that they
fear speaking in public, possibly even more than they fear death, for most Kenyans, public
speaking is an unavoidable responsibility. For example, when a Kenyan attends a church
service or other event away from home, he or she will often be asked to stand up and give
an impromptu word of greeting to the assembly. In more remote areas, where literacy rates
are low and there is little access to electronic media, this word of greeting also can serve an
informative purpose because the one who has traveled often brings news of the outside
world. The harambee, a kind of community fund-raising event peculiar to Kenya, is
characterized by the presence of both a guest of honor and various dignitaries of a stature
appropriate to the specific occasion, all of whom are likely at some point to address the
gathering. Weddings and funerals overflow with ceremonial speeches; virtually any relative,
friend, or business associate of the newly married or deceased may give advice or pay
tribute. Older members of the bride’s family, for example, may remind her how important it
is to feed her husband well, or warn the groom that in their family men are expected never
to abuse their wives, but to settle marital disputes with patience. Even the woman selected
to cut the cake expects to give a brief word of exhortation before performing her duty. The
free dispensing of advice, a hallmark of Kenyan wedding celebrations, would be out of place
at most receptions in the United States, where the focus of speeches is normally more on
remembrances and well-wishing.