COMM5 Instructor Manual Chapter 12
12-9
PopComm!
And the Winner Is . . .
The MTV Video Vanguard Awards, the People’s Choice Awards, the Emmys, the Grammys,
the Tonys, the Oscars—each year it seems as though there are more and more
entertainment awards shows to keep us, well, entertained. Do you watch any of these
shows? If so, why? To see what the celebrities are wearing? To view outstanding
performances by your favorite artists? Or to hear what your favorites star says in an
acceptance speech?
Acceptance speeches, long a staple of awards shows, can be a bane to the award show’s
producers and a way for celebrities to become even more famous—or infamous. Consider
some of the more unconventional Oscar acceptance speeches. When James Cameron won
the award for best director in 1998 for his movie Titanic, he first requested a moment of
silence for the victims of the Titanic disaster, then proclaimed, “I am the king of the world!”
In 2003 Michael Moore chastised the U.S. president in his speech, saying “Shame on you
Mr. Bush, shame on you.” In 1985 Sally Field famously, and very enthusiastically,
proclaimed, “You like me, right now, you like me!” And Greer Garson, who won the award
for best actress in 1942, still holds the record for the longest Oscar speech—it lasted for
seven minutes (“The ten most memorable,” 2008).
In 2015, dozens of Oscar recipients at the Academy Awards ceremony used their
acceptance speeches as platforms to promote political or charitable causes. Instead of
graciously thanking the Academy of Motion Picture Arts and Sciences for honoring them and
exiting the stage, Patricia Arquette used her acceptance speech to advocate for equal pay
for women; Julianne Moore used her time to promote research efforts for Alzheimer’s
disease; Dana Perry used her time to talk about suicide prevention; John Legend spoke out
against racial injustice; and Alejandro González Iñárritu argued for immigration reform in
the United States and political reform in Mexico.(Moylan, 2015) The volume of acceptance
speeches that tilted toward advocacy and argument was so pronounced that, in the days
following the ceremony, journalists of every media type and bias were criticizing, and even
lampooning, the celebrities who had made them.
To help Oscar nominees give effective and well-received speeches, award-winning actor
at one point Tom Hanks, a vice-president of the organization that presents the awards,
released a DVD of speech tips such as “Instead of hugging everyone within a 10-row radius,
you might have to settle for a few fast high-fives as you spring down the aisle.” He also
cautions against reading from a list or thanking a long list of people, and he recommends
saying something witty, creative, and memorable (“Hanks for the Oscars,” 2006).
Because Oscar speeches are often extensively covered in the media, many sources offer
additional tips to nominees. Communication expert Bill Lampton suggests that people don’t
try to be funny if humor is not their strength, and that they remember to keep the speech
concise (Goodale, 2005). The New York Times advises Oscar nominees to avoid addressing
political issues (Iorio, 1995). Media trainer T. J. Walker emphasizes the importance of being
prepared, saying, “Preparedness is the only way to be truly spontaneous.” As an example,
he cites former President Clinton, who has a conversational style that always sounds
extemporaneous. Walker explains, “He is still working from a scripted speech, but he knows
it inside and out and that allows him to feel prepared and relaxed” (Goodale, 2005).
Feeling prepared and comfortable may encourage sincere emotional expression, which is
what many Oscar viewers most appreciate. For Kirwan Rockefeller, pop culture professor at
the University of California, Irvine, Halle Berry’s 2002 acceptance speech for best actress
was a great example of speaking from the heart. “Berry’s speech was poignant and full of
emotion,” he said. “Everybody loves to see an Oscar winner cry and be humble and be
really surprised” (Goodale, 2005).