storyteller in the classroom. Use stories as discussion starters. Invite student participation in creating
characters and plot twists that illustrate course concepts. Try a chain story process in which every
class member adds a line to an ongoing story. For further information on storytelling, check these and
other sources:
Birch, C.L., & Heckler, M.A. (Eds.). (1996) Who says? Essays on pivotal issues in contemporary
storytelling. Little Rock, AR: August House.
Davis, D. (1993). Telling your own stories. Little Rock, AR: August House.
Greene, E. (1996). Storytelling, art and technique, 3rd edition. New Providence, NJ: Bowker.
Kirkwood, W.G. (1992). Narrative and the rhetoric of possibility. Communication Monographs, 59,
30-47.
MacDonald, M.R. (1992). Peace tales: World folktales to talk about. Hamden, CT: Linnet Books.
Martin, S. (1996). A storytelling guidebook: Introduction. In 1996 National Storytelling Directory
(pp. 99-101). Jonesborough, TN: National Storytelling Association.
Zipes, J. (1995). Creative storytelling: Building community, changing lives. New York: Routledge.
Diversity Considerations
Although Communicate! was created for a Western cultural context, integrating multicultural
perspectives of communication is a goal of the text and of this manual. Choosing to integrate diversity into
your basic speech course is a worthy challenge. A commitment to a diversity-infused
communication curriculum often necessitates faculty development efforts such as
Creating the Syllabus
It is strongly recommended that you distribute a syllabus on the first day of class. This document will
prepare students for what is ahead, provide you with a clear sense of direction, and act as “law” in the
course. Be sure to include all policies and expectations that students should uphold. A syllabus should
include the following: your name, your office hours, e-mail address, a bibliographic reference for
Communicate!, a delineation of student-centered objectives, a list of all assignments, specific grading
procedure, attendance policy, accommodations for students with disabilities, dates and times for all
examinations, class schedule, and the weight of each graded aspect of the course. Any additional
material that may be necessary for your course should be added as well. A well-written and clear
syllabus can be the key to a strong course beginning. Below are a few examples of items you may
want to include in your syllabus. The sample class schedule is based on a fifteen-week course and can
be adapted for meeting three or two times a week. Shorter courses can also be structured similarly.