Dines, Gender, Race, and Class in Media, 5e
SAGE Publications, 2018
A. their bodies are seen as superior in athletic ability but not in physical beauty
B. they have been subjugated as being only fit for athletic competition
C. they have been separated from other payers due to race
D. their bodies have been positioned by the “sexually grotesque.”
13. Orientalism, Edward Said (1978) wrote, is ______.
A. a conceptualization of the Orient, or East, which places it in opposition to the
Occident or West
B. identifying with Asian countries or cultures
C. being of or from an Asian country, and practicing a culturally authentic lifestyle, but
no longer living there
D. the act of traveling, moving, or otherwise leaving “Western” civilization and
immersing oneself in oriental cultures
14. The tension between accessibility and novelty, or strangeness, can serve as both a
site of resistance for female artists to wage “sex as a weapon” in the fight against
gender stereotyping as well as ______.
A. a space where new ideas about sexual roles and what is not appropriate male sexual
behavior are identified
B. a space where stale ideas about gender roles and what is appropriate female sexual
behavior are reified
C. a space where old ideas about social values are broken down and rebuilt in new
cultural subcategories
D. a space where gender roles are reinforced
15. Katy Perry, the framing of men of color in her video, and her cultural appropriation
matter because they reach a broad audience and serve to reinforce a racist and
prejudicial understanding of the world that only sharpens dichotomies. To overlook the
power of popular media because it is fluff is to ______.
A. dismiss Katy Perry as a pop culture “has–been”
B. decide what that media tells a huge portion of the public is unimportant
C. instill a sense of underlying prejudice when listening to pop music
D. decide that some forms media is more influential on audiences than others