What’s your students’ base of knowledge?
If you are inclined towards interactive classroom response systems (“clickers”), they
might be put to good use here. Though we traditionally think of stakeholders as employees or
owners, Deetz is more inclusive. Stakeholders range from those who make decisions to those
who consume products or legislate process. You might consider including some interactive
slides to illuminate what types of organizations your students have been stakeholders in. Ask
students what was/is the field or industry of the primary breadwinner in their families (i.e.
finance/banking, education, health care, management, military, religious service, science/
technology, skilled/semi-skilled labor). From this starting place, explore how their experiences
as a dependent child colored their interpretations. Do they think Deetz’ theory applies to these
organizations? How would they have changed their parents’ workplaces if they (or their
parent) had more involvement in decision-making?
Media and feature film examples
You may be familiar with Michael Moore, the colorful and controversial filmmaker. His
films include Roger & Me (1989), Bowling for Columbine (2002), Fahrenheit 9/11 (2004),
Sicko (2007) or Capitalism: A Love Story (2009). In each film, he tackles how an industry might
not be responsive to the needs of its stakeholders. In each case, Moore takes an in-your-face
approach at exposing government and corporate disenfranchisement of people. Like Vermont
progresses until his situation is eventually rectified. Based on this movie’s cult status, many
students may be very familiar with it, and as such, may become engaged in a lively discussion
about Peter’s move through Deetz’ model of organizational decision-making. A strong
argument could be made that the film illustrates each of the four styles—strategy, consent,
involvement, participation.
For a less traditional example of Deetz’ theory, consider these two clips from Jurassic
World (2015). Early on, the higher-ups of the theme park administration refer to focus groups
as they develop new attractions. What do members or the focus groups want? Bigger, scarier,
and more teeth. The result? The Indominus—the antagonist for the remainder of the film. It
only came about because that’s what stakeholders wanted. In a later scene, after betraying