Chapter 6: Organizational Strategy
No, this isn’t just the well-recognized strategy that Disney used with Toy Story 3, the release of the first
Winnie the Pooh movie in 50 years, or The Pirates of the Caribbean: On Stranger Tides, it’s the strategy
Iger, however, added one important dimension to Disney’s integrative portfolio strategy, brand
management. Each successful Disney movie (Beauty and the Beast), TV show (High School Musical), or
character (Winnie the Pooh) is a Disney brand. And, at Disney, under Iger, the strategy is to manage and
integrate those brands across the different parts of Disney’s businesses. Iger explains how it works:
These great character franchises were all brands unto themselves. But nobody was really
managing those brands, and decisions were being made in a vacuum. So if we determine that Toy
So, with an integrative strategy that leverages key brands across Disney’s various businesses, how much
discretion are Disney’s division managers given to execute their strategies? On first thought, it would
seem that Disney’s strategic planning department would keep a tight rein to effectively execute the
That tight integration, however, is balanced by tremendous creative autonomy for Disney’s division
managers and content creators. Remember, first and foremost, Disney is in the business of creating
Sources: D. Fonda, L. Locke, J. Ressner, & R. Corliss, “When Woody Met Mickey,” Time, 6 February 2006, 46-47;
R. Grover, “How Bob Iger Unchained Disney,” BusinessWeek, 5 February 2007, 74-79; M. Gunther & C. Hajim,
“The Iger Sanction,” Fortune, 23 January 2006, 47–50; M. Marr, “Better Mousetrap: In Shakeup, Disney Rethinks