104 PART 2 Tools
students who continue working, chanting rhymes about reading, going “back to basics,”
and getting high success rates on academic tests (24). That extended example is used to
support the claim that this is “a public school that works.”
Let’s go backpacking this summer. We had such a great time last year on the Kern
Plateau and in the Wind Rivers.
Don’t buy beets. I’ve never had beets cooked a way I like them.
Let’s go see the new Colin Firth movie. He was awesome in The King’s Speech .
Even in a public argument, it is common for a speaker to use examples taken from the
experiences of decision makers.
On August 21, 2007, Wal-Mart announced that its online music store would start sell-
ing songs free of copy-protection technology for 94 cents per tune. The Associated Press (AP)
explained that, “songs from the Rolling Stones, Coldplay and Maroon 5, among others,
will play on most portable media devices, including Apple Inc.’s iPod.” The article then pro-
ceeded to tell the story of the awkward relationship between the contemporary music indus-
try and music consumers. This story was offered as justification for Walmart’s new policy.
The article explains that, although independent musicians have long allowed those
who purchase their music to share the tunes in whatever manner they choose, large music
companies have maintained strict controls over music they sell, even after people have
purchased it. Although the story mentions that the music industry has a potentially com-
Anyone familiar with the contemporary music business will recognize the examples
given in this story and will understand how they support the claim that Digital Rights
Management has caused consumer frustration and how the new practices in music retail
activities, such as Walmart’s new policy, will reduce the frustration.
In Chapter 3 , we described how good stories function in argumentation. All exam-
ples, and particularly extended examples, need the characteristics of good stories. The
story should ring true for the decision makers. The illustration must have characters, ac-
tion, motives, and outcomes that make sense to them. In the case of a possible classroom
argument about a change in the course registration system students must use, you might
ask students to create their own stories. The scenarios of long lines, faulty telephone and
computer instruction, failure to get classes, preferences for others, and payments that
must be made just before payday, is a “story” that rings true to them.
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