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Teaching Note
Benetton Group: Evolution of Communication Strategy
Case Overview
This case examines the controversial “shock advertising” campaign that was used by Benetton, the
Italian-based clothing manufacturer and retailer for nearly two decades. Thanks to its unusual
Benetton has always been well known for its colorful and provocative advertisements. The
company employs unusual, controversial advertising techniques and themes that use “shock value” and
powerful images to grab viewers’ attention. Unlike most advertisements which center on a company’s
product or image, Benetton’s advertising campaigns have focused on social and political issues such as
racial integration, AIDS awareness, war, poverty, child labor, death, hunger, and pollution. Many of the
either Chapters 8 or 9 which deal with creative strategy. Benetton has used the shock ads to position the
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This teaching note was prepared by Senthil Ganesan.
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company as a cutting-edge, socially conscious marketer. Many students will be familiar with Benetton
and its controversial ads as they are part of the company’s primary target market. Thus, the case should
Discussion Questions
1. What are the basic objectives of advertising? What are the advertising objectives of Benetton?
Advertising may be used to achieve a variety of objectives including building awareness of the brand
and/or company, informing customers about the product/service or company, providing information and
developing an image Additional objectives include creating favorable attitudes and preferences for a
2. Discuss the pros and cons of the shock advertising campaign that Benetton used for many years.
There are few companies in the world that enjoy the global brand recognition of Benetton. The
unconventional shock advertisements used in this campaign evoked strong feelings among consumers and
helped the company attract attention and generate publicity. One of Toscani’s quotes is appropriate here:
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There are also a number of negative aspects to the Benetton shock ads. Many critics argued that
Benetton was exploiting human suffering to sell its products and felt that the company used the ads to
create controversy and generate publicity rather than to address social issues. One might question whether
the type of publicity Benetton was getting from its shock ads was really beneficial to the company. The
Benetton ads were controversial even in more liberal European countries, and advertising self-regulatory
bodies in Britain, France, and Spain condemned some of the ads and urged magazines to reject them. As
3. Oliviero Toscani has defended Benetton’s use of shock advertising by noting that it constitutes
nothing less than a debate between advertising and art. He argues that potentially offensive
images are acceptable in the world of art and journalism while in other realms such as
advertising they are not. Do you agree with Toscani’s position?
The position taken by Oliver Toscani, Benetton’s former creative director, is that advertising should be
free from any type of censorship or scrutiny since it is often a form of art. When viewing advertising as
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There are other examples which support Toscani’s argument. For example, the December 22, 2003 issue
of Time Magazine featured the Year in Pictures 2003 and showed disturbing images of the Iraq and
Afghan war injured and dead not very different from Toscani’s image of the bloodied uniform of the
Bosnian soldier shown in one of the Benetton ads. Ethical or moral standards are very subjective and
relative as evident from reactions to the Benetton ads showing an image of a priest and nun kissing. While
this ad was banned in Italy, it won the Eurobest Award in Britain.
4. Can you think of any other companies that use shock advertising? For what type of companies
might this type of advertising be effective?
Calvin Klein and Benetton are the two companies that are probably best known for using shock ads
although there are a number of other companies that have used the technique. Calvin Klein has been using
shock ads for nearly two decades and built the company and brand by tapping into both the charge and the
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Many retailers rebelled against the Calvin Klein ads featuring childlike models in provocative poses
which was referred to as “kiddie pornby many critics. Irate consumer groups also called for boycotts
and threatened to picket stores carrying the brand.
While other companies have used shock ads, Benetton’s use of the advertising genre is unique.
While the ads of Calvin Klein and FCUK are meant to differentiate these brands and increase sales,
Benetton’s goal (at least according to Toscanni) was to raise the public’s awareness and make them more
conscience of important social issues. Few companies are brave enough to experiment to such a degree
with their advertising. One exception is Egg Banking, a United Kingdom based online financial services
5. Do you agree with Benetton’s decision to drop the use of shock ads and return to the use of
more conventional ads?
Benetton appears to have pushed the envelope too far with the We, On Death Row” campaign as the ads
generated very negative reactions and there were strong repercussions as a result. Families of the victims
objected strongly to the campaign and accused Benetton of glamorizing murderers while ignoring the
crimes they had committed. The state of Missouri filed a lawsuit arguing that it had been misled regarding
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in Europe had more already banned the death penalty. However, as a result of the increasing furor,
Toscani resigned in May 2000. He was replaced by James Mollison, a graduate of Fabrica, Benetton’s
cultural research and development center that backs young artists from all over the world.
Rather than moving solely into product based advertising after Toscani’s exit, the company could
still continue to address social issues like war, poverty, education, child labor and exploitation and the
like but with less controversial ads. In fact, Benetton indicated that it would not be completely
abandoning its social issues messages and planned to run ads speaking to the refugee issue. The subject is
very important to James Mollison who wrote a book on Kosovan refugees in conjunction with the United