Chapter 6: Film
The choices of approach and supporting audiovisual material abound, depending on the tack that
instructors wish to take. For those who are historically inclined, any of the early films mentioned in the text
(e.g., The Great Train Robbery, Birth of a Nation, and Intolerance) are available on disc and online. In
Chapter 7: Radio, Recording, and Popular Music
As suggested in an earlier chapter, a good lecture strategy to open this chapter is to re–create the BBC’s
Desert Island Disc. Ask students to name the five records they’d want to have if stranded on a desert
island. From there, they should be able to explain why they made the choices they did. In this way, the
importance of music can be highlighted. Instructors can then relate the music choices to the kinds of radio
stations that carry them and then to the kinds of people who listen to those stations.
There are many audio-visual options. Three feature films offer some good insights into radio’s Golden
Age. The 1975 ABC made-for-TV movie The Night That Panicked America features an all-star cast (John
Chapter 8: Television, Cable, and Mobile Video
A useful lecture device for this chapter is to ask students to identify their “great TV moments.” Then not
only can they be asked why they classify their choices as such, but they can speculate on how other
people might rate the ones they have chosen. Narrowcasting, effects, and other issues can logically flow
from this start.
The audiovisual options here are limitless. Off-air taping of any of the programs mentioned is possible,
and collections of classic and contemporary TV shows abound online and on disc.
Television is well represented in Hollywood movies. Available at most good video stores are films like A
Face in the Crowd, a powerful 1957 Elia Kazan–directed early warning of television’s immense power to