Instructor’s Manual
LECTURE NOTES
To introduce “community justice,” it is useful to first paint a picture of the current correctional
landscape. Chapter 22 begins by reiterating a key issue in American corrections: Nowhere in the
world and at no point in history has there been anything equal to this nation’s current massive
system of punishment. It is imperative that students understand that. Furthermore, students ought
to know that the system’s growth is not random. When reviewing this material, be sure to stress
Stress that “community justice” is not a particular practice but rather a philosophy of justice, a
strategy of justice, and a series of justice programs. This may be challenging for students to
absorb, as we are accustomed to very concrete practices when it comes to matters of criminal
justice. It may be constructive to dissect each of the three components. Review examples of
community justice with the class, and explore the philosophy, the strategies, and the program
aspects of each example.
The authors highlight four ways in which community justice differs from traditional criminal
justice. Students should be familiar with each dissimilarity. Have students discuss or debate
Community justice may be a new idea to your students, one they might be skeptical about. It
may be useful to illustrate public support for community justice. You could bring in a speaker.
Review the arguments in support of community justice that are highlighted in the chapter. Ask
students if they think these are compelling. Ask students if they can think of any other reasons to
champion community justice.
Often when people imagine changing our current criminal justice system, they think that we
must first uncover a perfect solution. Help students to understand that we need only do better
than we are already doing. They should recognize that no practice or justice approach would be
Begin a conversation as to the likely correctional landscape of the future. What do students
imagine the future holds? Do they envision community justice as part of the repertoire?