Yousman, Gender, Race, and Class in Media 6e
SAGE Publishing, 2021
4. Writing Non-Classist Advertisements: This is a project that can be spread over a
few weeks or several class sessions. After assigning the students the McAllister and
Aupperle article, break the class into three or four groups (or more depending on class
size). Assign the students a company/product from both middle-class brands (e.g., Arm
and Hammer Baking Soda, American Airlines) as well as higher-end brands (e.g., BMW
i3 electric car, Tumi Luggage) and ask them to write a 30-second spot that showcases
5. Infographics: This assignment calls for students to research the mission of the UN
vis-à-vis the UN Development Programme’s Goodwill Ambassadors available at
6. The Power of Disney’s Advertising: The Walt Disney Company is adept at creating
captivating, colorful advertising. Like in Jhally’s article, much of the appeal of advertising
lies in consumers longing for the social. Much of Disney’s advertising for their Walt
Disney World theme park (which opened in 1971) is available online. Assign students to
investigate Disney World advertising according to three eras: 1971–1985; 1985–2005;
and 2005 to present (the instructor can separate the class into groups for this project).
Ask students a variety of provocative questions to guide their research: How is Disney
exploiting the social to sell a commodity? What kinds of consumers is Disney trying to
lure? How is Disney tying together the concepts of wealth, race, entertainment, and