Chapter Summary
Philip Glass is a prolific minimalist composer whose output includes 10 operas, one of
which is Einstein on the Beach. There is no story line in this opera. Rather, Glass built it
around a series of recurring images: a train, a trial, and a spaceship in a field. A
character resembling Einstein appears repeatedly, playing the violin. The composer
explained that the title is only a sort of reference point for meeting. Audiences bring
their own story lines.
without intermission. Electronic organ, mixed chorus, and female speakers form the
Listening Guide
There are 11 sections and each is stated twice. The first is for organ alone with an
ostinato in long, slow notes. Singers enter in two parts in section 2, and these remain
through section 6. At section 7, the two lines (S/A, T/B) become four parts. The Rhythm
column outlines the ostinatos.
MyMusicLab Resources
Automated Listening Guide Einstein on the Beach
Chapter Audio: Chapter 55
Discussion Topics and Critical Thinking Questions
1. Describe the layers of texture in this excerpt. How does Glass alter them for contrast?
2. Define minimalism as a composition style and explain how this example fits the
definition.