5-9A. A QUESTION OF ETHICS: Copyrights
(a) Digital editing technology has proven to be both a boon and a bane to the movie industry.
The technology eases the legitimate production and editing of films for a wide spectrum of audiences
and purposes. But this technology also makes it easier to edit films without the creators’ and owners’
consent. In the circumstances of this case, for example, CleanFlicks and its competitors bought DVDs of
the studios’ films, cracked the encryption code on the disks intended to thwart copying, and altered the
movies. Using the altered disks as master copies, the firms created new DVDs, which they sold or rented
If money was not the motivation for the claims of any of the parties to this suit, what was?
With respect to the legality of the parties’ conduct in this case, the court concluded that
CleanFlicks’ “business is illegitimate” and issued a summary judgment in the studios’ favor, ordering
CleanFlicks and the others to turn over all of the copies of their versions of the studios’ films to be
destroyed. The court pointed out that “[t]he right to control the content of the copyrighted work . . . is
the essence of the law of copyright.” This was the impetus for the studios’ counterclaim, at least, and in
the court’s view this was the principle at the heart of this case.
The court emphasized that “the intrinsic value of the right to control the content of the
copyrighted work . . . is the essence of the law of copyright. Whether these films should be edited in a
manner that would make them acceptable to more of the public playing them on DVD in a home
environment is more than merely a matter of marketing,” or appealing in a particular manner to a
certain segment of the market; “it is a question of what audience the copyright owner wants to reach.
. . . [T]he infringing parties are exploiting a market for movies that is different from what the Studios
have released into and for an audience the Studios have not sought to reach.”