Suggested Readings
• Ken Auletta, Three Blind Mice: How the TV Networks Lost Their Way (New York: Random House,
1991), and Ken Auletta, The Highwaymen (San Diego: Harcourt Brace, 1998): Through these two
books, journalist Ken Auletta looks at the huge transformations that took place in television during
the 1980s and 1990s.
• Erik Barnouw, Tube of Plenty: The Evolution of American Television, 2nd revised edition (New York:
Oxford University Press, 1990): An interesting look at the changing role of television in American life.
• Joshua Meyrowitz, No Sense of Place (New York: Oxford University Press, 1985): An examination of
how television through its very existence changes the world we live in.
• All of the Chapter 9 links posted to my RalphEHanson.com blog at
http://www.ralphehanson.com/category/chapter–9/
Lecture Builders
NOTES: ROOTS MINI SERIES―ERIK BARNOUW: In 1977, ABC–TV created a new form of television for an
American audience and demonstrated the power of television to shape a nations agenda for discussion.
On eight consecutive nights, January 23 through 30, the miniseries Roots aired. It told the story of
African–American writer Alex Haley’s family, starting with Kunte Kinte, an African taken into slavery,
through the years the family spent in the United States, up to the Emancipation.
Each night that the show aired, it gained in audience, and the final episode of the series had the highest
ratings of any program up until that time. This was followed by Holocaust on NBC, which dealt with a
single Jewish family experiencing Hitler’s Final Solution. Television historian Erik Barnouw, in his book
Tube of Plenty, says that the two programs changed the landscape of television because they
demonstrated that there could be a market for serious, disturbing programs shown over an extended
period of time.
They also came at a pivotal time for television history, when network television was beginning a long
decline in audience size and profitability as it moved into the cable era, where there would rarely be a
single mass audience, but rather a disconnected series of separate audiences.
VIDEO HINT: Showing a clip or two from the Best of the Ernie Kovacs series can serve as an illustration of
how comedy adapted to the new medium in the 1950s. I typically use the oscilloscope gags, the “Gorilla
Swan Lake,” or the “Nairobi Trio.”
You find several examples of Ernie Kovacs’s work and the influence he has had at
http://ralphehanson.com/blog/archive_kovacs.html