Chapter 9: Marketing Research
31
expand its market coverage into two Florida counties by August 1, 2015. The firm’s
market planners know from past experience that a county must have a population of at least
300,000 people to support a store and that the bulk of its sales are to people between the
ages of 27 and 32. Based only on information available in the Survey of Buying Power,
which two counties would you recommend for new stores, and why? Be sure to also
consider and report median household EBI, BPI, and an estimate of per capita sales for the
retail store group that includes stores selling furniture.
Michael C. Murphy, Langston University at Rogers University
Jon Shapiro, Northeastern State University at Rogers University
Storytelling: Metaphor Generation as a Customer Understanding Research Tool
Traditional market research techniques such as surveys and focus groups often fail to reveal the
customer’s hidden inner feelings that are not easily verbalized or quantified. As a result,
storytelling is gaining recognition as a useful tool that gives marketers a richer insight into
consumer behavior and attitudes. Researchers such as Gerald Zaitman—the creator of Harvard’s
Metaphor Lab, have successfully utilized variations of storytelling to aid DuPont and other
consumer product companies.
In our classrooms, storytelling is an informative and entertaining way to help students expose
non-verbalized feelings as well as behaviors associated with product usage. We typically work
with a class of 30 and proceed as follows. First, we divide the class into three groups of ten
students and assign each group one specific product to analyze. (Products such as backpacks,
athletic shoes, cereals, candy bars, pens, sandals, and automobiles typically elicit student interest.
Merchandise such as perfumes, jeans, and undergarments elicit even more interest due to their
inherently hedonistic nature).
Next, each student is instructed to clip out magazine pictures and to assemble them into a collage
that serves as a metaphor for that student’s experiences and emotions associated with the
product. We generally give participants three weeks to create their collages. This allows them
time to purchase (if necessary) and experience the product. We believe that current usage yields
a richer description of product–user interaction than past consumer experience(s).
After three weeks, each student brings his or her collage to class and is allotted several minutes
to display it while explaining why he or she chose certain clips and what they mean (i.e., to tell
his or her collage-related story).
In the next learning phase, each product group of 10 meets outside of class to interpret the
metaphorical meanings within the stories. The final task of each group is to produce a paper