Fair Use
The fair use doctrine is important because it permits limited use of copyrighted material without
permission of the author. When copyrighted material is used for purposes such as criticism, parody,
comment, news reporting, scholarship, research, or education, it is more likely to be a fair use.
Additional Case: Campbell v. Acu-Rose Music, Inc., 4
Facts: Acuff-Rose filed suit against the members of a rap group, 2 Live Crew and their record company,
claiming that 2 Live Crew’s song “Pretty Woman” infringed Acuff-Rose’s copyright in Roy Orbison’s
song “Oh Pretty Woman.” The District Court granted summary judgment for 2 Live Crew holding that
the song was a parody and thus a fair use of the copyrighted work. Acuff-Rose appealed and the appellate
court reversed, holding that because the 2 Live Crew song was used for a commercial purpose, it is
presumptively unfair, and because Campbell used so much of the original work in its work, the group had
taken too much of copyrighted work. The United States Supreme Court granted certiorari.
Issue: Is the parody a fair use of the original work?
Decision: Appellate decision reversed and remanded. The Copyright Act of 1976 indicates that there are
allowable fair uses of copyrighted work, such as uses for criticism, comment, news reporting, and
teaching. The Act also states that four factors must be weighed in determining whether a use of a
copyrighted work constitutes a fair use. The four factors are: 1. the purpose and character of the use; 2.
the nature of the copyrighted work; 3. the amount of the copyrighted work used; and 4. the effect of the
use on the market for the copyrighted work.
According to the court, parody, like other comment and criticism may claim fair use. Under the first
factor, the focus is on whether the new work merely replaces the original work, or whether the new work
is a new “transformative” work, inserting new meaning and expression. The more transformative the new
work, the less important the commercial nature of the new work is considered. For parody in particular,
the heart of any parodist’s claim to quote from existing material is the use of some elements of an original
work to create a new work that comments on that author’s work. Here, 2 Live Crew juxtaposes “the
romantic musings of a man whose fantasy comes true” with degrading lyrics, a demand for sex, and relief
from paternal responsibility. The words can be taken as a commentary of the original, as a rejection of its
sentiment that ignores the “ugliness of street life and the debasement that it signifies.” This marriage of
reference and ridicule is the hallmark of parody that traditionally has enjoyed fair use protection as a
transformative work. According to the Court, the transformative nature of 2 Live Crew’s work should be
balanced against the commercial use of the work. Commerciality does not mean a presumptively unfair
use, to so hold would “swallow nearly all of the illustrative uses listed in the preamble” of the Act.
The third factor asks whether the amount of the original work used is reasonable in relation to the purpose
of the copying. The court agreed that the extent of the copying depends on the purpose of the copying.
According to the Court, parody presents a difficult case because parody’s commentary stems necessarily
from a recognizable reference to the original work. Thus, a parodist may use the most recognizable parts
of the original in its own parody of that original, but the context of the use is important. According to the
court, 2 Live Crew copied the characteristic opening bass riff of the original and the words of the first line
of the original. However, although those are the most recognizable portions of the original, the group also
departed significantly from the original lyrics, and otherwise produced distinctive sounds, and overlaying
the music with solos in different keys.
4 510 U.S. 569, 114 S.Ct. 1164, 1994.