infringed Wiley’s American copyrights by selling and importing without authorization
copies of eight of Wiley’s copyrighted titles and assessed statutory damages of $600,000
($75,000 per work). On appeal, the Second Circuit affirmed, concluding that the “first sale”
doctrine does not apply to copies of American copyrighted works manufactured abroad.]
Section 106 of the Copyright Act grants “the owner of copyright under this title”
certain “exclusive rights,” including the right “to distribute copies … of the copyrighted
Section 109(a) sets forth the “first sale” doctrine as follows:
“Notwithstanding the provisions of section 106(3) [the section that grants the owner
exclusive distribution rights], the owner of a particular copy or phonorecord lawfully made
under this title … is entitled, without the authority of the copyright owner, to sell or
otherwise dispose of the possession of that copy or phonorecord.” (Emphasis added.)
Thus, even though §106(3) forbids distribution of a copy of, say, the copyrighted
novel Herzog without the copyright owner’s permission, §109(a) adds that, once a copy of
Herzog has been lawfully sold (or its ownership otherwise lawfully transferred), the buyer of
that copy and subsequent owners are free to dispose of it as they wish. In copyright jargon,
the “first sale” has “exhausted” the copyright owner’s §106(3) exclusive distribution right.
What, however, if the copy of Herzog was printed abroad and then initially sold with
the copyright owner’s permission? Does the “first sale” doctrine still apply? Is the buyer,
like the buyer of a domestically manufactured copy, free to bring the copy into the United
States and dispose of it as he or she wishes?
To put the matter technically, an “importation” provision, §602(a)(1), says that
“[i]mportation into the United States, without the authority of the owner of copyright under
this title, of copies … of a work that have been acquired outside the United States is an