interesting that the immediate death of someone you know can weigh more in your calculation than
abstract megadeaths.
In The Maltese Falcon, the hero, Samuel Spade (played by Humphrey Bogart), is the only person
who knows where the priceless gem-studded falcon is hidden, and the chief villain Caspar Gutman
(Sydney Greenstreet) is threatening him for this information. This produces a classic exchange, here cited
from the book (Hammett 1929) but reproduced almost verbatim in the movie.
Spade flung his words out with a brutal sort of carelessness that gave them more
weight than they could have got from dramatic emphasis or from loudness. “If you kill me,
how are you going to get the bird? If I know you can’t afford to kill me till you have it, how
are you going to scare me into giving it to you?”
Gutman cocked his head to the left and considered these questions. His eyes
twinkled between puckered lids. Presently he gave his genial answer: “Well, sir, there are
other means of persuasion besides killing and threatening to kill.”
“Sure,” Spade agreed. “but they’re not much good unless the threat of death is
behind them to hold the victim down. See what I mean? If you try something I don’t like I
won’t stand for it. I’ll make it a matter of your having to call it off or kill me, knowing you
can’t afford to kill me.”
“I see what you mean.” Gutman chuckled. “That is an attitude, sir, that calls for the
most delicate judgment on both sides, because, as you know, sir, men are likely to forget in
the heat of action where their best interests lie and let their emotions carry them away.”
The class discussion can explore the nature of these strategies. The scene can be seen as an
example of Schelling’s idea of the (strategic) rationality of (seeming) irrationality. (See Schelling’s
Strategy of Conflict, 1960, pp. 17–18.) Gutman is making his threat credible by pointing out that he may
act irrationally. But it is better seen as an example of the dynamic game of brinkmanship (Schelling’s
Strategy of Conflict, ch. 8; Arms and Influence, ch. 3). Both parties by persisting in their actions—
Gutman in his torture, and Spade in his defiance—are raising the risk that Gutman may get mad and do