978-0393639032 Chapter 47

subject Type Homework Help
subject Pages 1
subject Words 756
subject Textbook The Enjoyment of Music 13th Edition
subject Authors Andrew Dell'Antonio, Kristine Forney
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iv | Contents
Chapter47 | Exotic Allure: Puccini and the Italian
Verismo Tradition 186
Chapter48 | Accepting Death: Fauré and the Requiem 188
Chapter49 | Mythical Impressions: Program Music
at the End of the Nineteenth Century 191
Chapter50 | Jubilees and Jubilation: The African-
American Spiritual Tradition 194
Chapter51 | A Good Beat: American Vernacular
Music at the Close of an Era 197
Part 6 Twentieth- Century Modernism
Prelude 6 | Making Music Modern 213
Chapter52 | Anything Goes: Schoenberg and
Musical Expressionism 216
Chapter53 | Calculated Shock: Stravinsky and
Modernist Multimedia 219
Chapter54 | Still Sacred: Religious Music in the
Twentieth Century 222
Chapter55 | War is Hell: Berg and Expressionist
Opera 225
Chapter56 | American Intersections: Jazz and
Blues Traditions 228
Chapter57 | Modern Amer i ca: Still and Musical
Modernism in the United States 232
Chapter58 | Modern Experiments: Gersh win
and “Cultivated Jazz” 235
Chapter59 | Sounds American: Ives, Copland,
and Musical Nationalism 239
Chapter60 | Also American: Revueltas and Mexican
Musical Modernism 242
Chapter61 | Classic Rethinking: Bartók and the
Neo- Classical Turn 245
Part 7 Postmodernism:
The Mid- Twentieth Century And Beyond
Prelude 7 | Beyond Modernism? 261
Part 4 Eighteenth- Century Classicism
Prelude 4 | Music as Order and Logic 111
Chapter29 | Musical Conversations: Haydn and
Classical Chamber Music 113
Chapter30 | The Ultimate Instrument: Haydn
and the Symphony 116
Chapter31 | Expanding the Conversation: Mozart,
Chamber Music, and Larger Forms 119
Chapter32 | Conversation with a Leader:
The Classical Concerto 122
Chapter33 | Personalizing the Conversation:
Beethoven and the Classical Sonata 124
Chapter34 | Disrupting the Conversation: Beethoven
and the Symphony in Transition 127
Chapter35 | Making It Real: Mozart and
Classical Opera 130
Chapter36 | Mourning a Hero: Mozart and the
Requiem 133
Part 5 The Nineteenth Century
Prelude 5 | Music as Passion and Individualism 151
Chapter37 | Musical Reading: Schubert, Schumann,
and the Early Romantic Lied 154
Chapter38 | Marketing Music: Foster and Early
“Popu lar” Song 158
Chapter39 | Dancing at the Keyboard: Chopin
and Romantic Piano Music 161
Chapter40 | Musical Diaries: Hensel and
Programmatic Piano Music 165
Chapter41 | Personal Soundtracks: Berlioz and the
Program Symphony 168
Chapter42 | Sounding Lit er a ture:
Orchestral Program Music
by Mendelssohn and Grieg 171
Chapter43 | Absolutely Classic: Brahms and the
Nineteenth- Century Symphony 174

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