978-0393639032 Chapter 16

subject Type Homework Help
subject Pages 1
subject Words 474
subject Authors Andrew Dell'Antonio, Kristine Forney

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Chapter16 | Symbols and Puzzles: Machaut and
the Medieval Mind 47
Chapter17 | Singing in Friendship:
The Re nais sance Madrigal 50
Chapter18 | Remember Me: Personalizing the
Motet in the Re nais sance 53
Chapter19 | Glory Be: Music for the Re nais sance
Mass 56
Chapter20 | Instrumental Movements: Medieval
and Re nais sance Dance Music 59
Part 3 The Baroque Era
Prelude 3 | Music as Exploration and Drama 73
Chapter21 | Voicing Gender: Women Composers
in Baroque Italy 76
Chapter22 | Performing Grief: Purcell and
Early Opera 79
Chapter23 | Musical Sermons: Bach and the
Lutheran Cantata 82
Chapter24 | Textures of Worship: Handel and the
En glish Oratorio 85
Chapter25 | In de pen dent Study: Billings and the
North American Sacred Tradition 88
Chapter26 | Grace and Grandeur: The Baroque
Dance Suite 91
Chapter27 | Sounding Spring: Vivaldi and the
Baroque Concerto 95
Chapter28 | Pro cess as Meaning: Bach and the Fugue 97
Part 1 Materials of Music
Prelude 1 | Listening to Music 3
Chapter1 | Melody: Musical Line 5
Chapter2 | Rhythm and Meter: Musical Time 8
Chapter3 | Harmony: Musical Depth 11
Chapter4 | The Organ ization of Musical Sounds 13
Chapter5 | Musical Texture 15
Chapter6 | Musical Form 18
Chapter7 | Musical Expression: Tempo
and Dynamics 20
Chapter8 | Text and Music 22
Chapter9 | Voices and Instrument Families 24
Chapter10 | Western Musical Instruments 26
Chapter11 | Musical Ensembles 29
Chapter12 | Style and Function of Music in Society 32
Chapter13 | Putting Music into Words 35
Part 2 The Middle Ages
and Renaissance
Prelude 2 | Music as Commodity and Social
Activity 39
Chapter14 | Voice and Worship: Tradition and
Individuality in Medieval Chant 42
Chapter15 | Layering Lines: Polyphony at
Notre Dame 45
CONTENTS

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