CHAPTER 9
Voices and Instrument Families
OVERVIEW
The materials from which musical instruments, including the human voice, are constructed
contribute to the diversity of sound quality (timbre, or tone color) that emerges from various
musical instruments. This chapter provides a basic introduction to the various human voice types
and instrument families.
LEARNING OBJECTIVES
1. To understand timbre, or tone color, as the quality of sound generated by various types of
musical instruments and voices
2. To understand how the human voice and musical instruments are classified according to
their sound quality and method of tone production
LECTURE SUGGESTIONS
1. Bring to class an example of each musical instrument type (aerophone, chordophone,
idiophone, and membranophone). Chapters 10 and 11 treat musical instruments in detail, so
for the purposes of this chapter the instruments can be very simple: a whistle or recorder, a
ukulele or guitar, a rattle or tambourine, and a small drum (with a beater.) After defining the
instrument classifications, have members of the class play each, and then ask the class
which instrument belongs to which classification category.
2. After defining the voice types (soprano, alto, etc.), pair students off and have them assess
each other’s voice types. If students are reluctant to sing, ask them to try to identify their
spoken voice range first and then move to speaking low or high at uncomfortable ranges
as a way to more precisely measure their vocal ranges. Next, on the basis of their
assessments, group the students according to voice type and have them test out their
voice designations by singing or speaking in what they feel to be their low, middle, and
high ranges. After the test, ask students to change groups if they feel their assigned group
lies outside their vocal range and reassess the new groups. Repeat if necessary.
ASSIGNMENT SUGGESTIONS
1. Listen to the following excerpts from the CDs. Which voice type best describes the sound
production of these singers?
El Cihualteco (Mexico, mariachi song)
Handel: Messiah, “O thou that tellest good tidings to Zion”
Hildegard of Bingen: Kyrie
Mozart: Requiem, “Tuba mirum”
2. How does a typical rock band reflect the musical instrument classification system
(aerophone, chordophone, idiophone, and membranophone)? Think about the diverse ways
in which music is made today. Can you think of other musical groups or performers that
operate within this system of instrument classification? Any that operate outside the system?
TEACHING CHALLENGES
As with the previous elements chapters, students with pitch difficulty or no previous musical
experience may have difficulty perceiving the various vocal registers. Visual aids, such as a
notated illustration of the vocal ranges or a piano keyboard demonstration, may help these
students conceptualize the pitch differences.
CHAPTER OUTLINE
Voices and Instrument Families (Chapter 9)
I. Musical Timbre
A. Tone color, sound quality
1. timbre determined by:
a. size, shape, proportions of an instrument
b. material from which instrument is made
c. manner vibration is produced
2. instrument: mechanism that generates musical vibrations
3. register: melodic range of an instrument (low, middle, high)
II. The Voice as Instrument
A. Vocal ranges: highest to lowest
1. soprano
2. mezzo-soprano
3. alto (contralto)
4. tenor
5. baritone
6. bass
B. Human voice: model for instrument builders, composers
1. duplicate its lyric beauty, expressiveness
2. vibrato: slight fluctuations of pitch, throbbing effect
III. The World of Musical Instruments
A. Instrument categories
1. aerophones: sound produced by air
a. flutes, whistles, horns, bagpipes
2. chordophones: sound produced from vibrating string stretched between two points
a. bowing, plucking, striking
b. violin, guitar or Indian sitar, hammered dulcimer
3. idiophones: produced from the substance itself
a. struck, scraped or shaken, plucked
b. steel drums, rattles, mbira (“thumb piano”)
4. membranophones: sounded from tightly stretched membranes
a. drum-type instruments