3. Legal and Social Issues
a. Advertisers must not make false claims, use false
demonstrations, or create ads with the capacity to
deceive, even if no one is actually deceived.
b. Sellers in the United States are legally obligated to
avoid bait-and-switch advertising that attracts buyers
under false pretenses.
G. Choosing Media: deciding on desired reach, frequency, and impact; choosing
among major media types; selecting specific media vehicles; and setting
media timing and geographical allocation.
i. Reach, Frequency, and Impact
1. Media selection is finding the most cost-effective media to
deliver the desired number and type of exposures to the target
audience.
2. Impact is the qualitative value of an exposure through a given
medium
3. Reach is most important when launching new products, flanker
brands, extensions of well-known brands, and infrequently
purchased brands or when going after an undefined target
market.
4. Frequency is most important where there are strong
competitors, a complex story to tell, high consumer resistance,
or a frequent-purchase cycle.
5. A key reason for repetition is forgetting. The higher the
forgetting rate associated with a brand, product category, or
message, the higher the warranted level of repetition.
ii. Choosing Among Major Media Types
1. Media planners make their choices by considering factors such
as target audience media habits, product characteristics,
message requirements, and cost.
Table 20.1 Profiles of Major Media Types
Medium Advantages Limitations
Newspapers Flexibility; timeliness; good local
market coverage; broad
acceptance; high believability
Short life; poor reproduction
quality; small “pass-along”
audience
Television Combines sight, sound, and
motion; appealing to the senses;
high attention; high reach
High absolute cost; high clutter;
fleeting exposure; less audience
selectivity
Direct mail Audience selectivity; flexibility; no
ad competition within the same
medium; personalization
Relatively high cost; “junk mail”
image
Radio Mass use; high geographic and
demographic selectivity; low cost
Audio presentation only; lower
attention than television;
nonstandardized rate structures;
fleeting exposure