Chapter 19 (The Baroque in Italy and Spain)
1. Caravaggio’s The Calling of St. Matthew (19.2) displays a radical _________.
a. naturalism
b. Classicism
c. abstraction
d. minimalism
2. Tenebrism is a technique that uses _____________.
a. real people as models
b. a vanishing point
c. strong contrasts of light and dark
d. shades of red
3. Artemisia Gentileschi used ___________as a model in many of her paintings.
a. mother
b. herself
c. her father
d. her sister
4. Annibale Carracci painted in a(n) ___________style.
a. Mannerist
b. anti-Mannerist
c. Classical
d. Byzantine
5. The Allegory of Divine Providence (19.11) by da Cortona is ___________.
a. illusionistic
b. naturalistic
c. Romantic
d. single point perspective
6. Bernini’s Baldacchino (19.15) is located _________________.
a. at the crossing of the transept and the nave
b. at the altar
c. in the narthex
d. in the nave
7. Campani and Trevisani’s Noctural Clock (19.16) was designed so that _________.
a. the clock could be stored at night
b. the time could be displayed in darkness
c. the sun and the moon were displayed
d. the signs of the zodiac were displayed
8. Saint Cecilia was the patron saint of __________.
a. history
b. art
c. architecture
d. music
9. Compared to Michelangelo’s David (19.30), Bernini’s David (19.30 is
_______.
a. more static
b. taller
c. more dynamic
d. made out of marble
10. Saint Teresa was known for her _______________.
a. mystical visions
b. healing
c. poetry
d. music
11. Jusepe de Ribera was very influenced by ____________.
a. Bernini
b. Caravaggio
c. Gentileschi
d. Rubens
12. Diego Velázquez was the court painter for ____________.
a. Henry VIII
b. Queen Elizabeth
c. Philip IV
d. Charles the V
13. In Caravaggio’s The Conversion of St. Paul (19.3) the artist uses __________.
a. tenebrism
b. grisaille
c. lithography
d. atmospheric perspective
14. The church of San Carlo alle Quattro Fontane (19.17) is located in _______.
a. Florence
b. Milan
c. Genoa
d. Rome
15. The four youths in Caravaggio’s The Musicians (19.4) have been interpreted as
being ______________.
a. two youths seen from two points of view
b. the artist’s brothers
c. self-portraits
d. three youths seen from two points of view