Chapter 18 (Renaissance and Reformation in Sixteenth-Century Northern Europe)
1. Pieter Bruegel the Elder′s genre paintings used ________.
a. atmospheric perspective
b. inverted perspective
c. sfumato
d.Classical forms
2. Most of the artists at the School of Fontainebleau worked in the ________style.
a. Baroque
b. Classical
c. Mannerist
d. Rococo
3. ________are effigies of the deceased that express the transient nature of the flesh.
a. Statues
b. Gisants
c. Portraits
d. Medallions
4. El Greco was deeply influenced by the art of __________.
a. Italy
b. Germany
c. England
d. France
5. Dürer’s The Four Horsemen of the Apocalypse (18.14) is a(n) _________.
a. oil painting
b. fresco
c. woodcut
d. relief sculpture
6. In Dürer’s The Four Apostles (18.18), the figures represent four individuals associated
with _______doctrine.
a. Protestant
b. Catholic
c. Orthodox
d. heretical
7. In The Battle of Issos (18.21) the artist adopts a ___________point of view.
a. omniscient
b. limited
c. atmospheric
d. dedicated
8. Grien’s The Bewitched Groom (18.22) is a __________.
a. oil painting
b. drawing
c. fresco
d. woodcut
9. A vanitas is a reminder that _____________.
a. the most important thing is the material world
b. life on earth is fleeting
c. obedience to the king is paramount
d. things are open to interpretation
10. Hans Holbein was the court painter to __________.
a. Francis II
b. Philip II
c. Henry VIII
d. Louix XVI
11. __________are small medallions in relief.
a. Gisants
b. Cameos
c. Portraits
d. Vanitas
12. Queen Elizabeth’s father was ___________.
a. Francis II
b. Philip II
c. Henry VIII
d. Louix XVI
13. David’s Virgin Among Virgins (18.27) was commissioned by ___________.
a. the Pope
b. a Carmelite nunnery
c. a Franciscan monastery
d. a Dominican monastery
14. Joachim Patinir was an early specialist in __________.
a. portraiture
b. genre scenes
c. landscapes
d. self-portraits
15. Aertsen’s The Meat Stall (18.31) might have a ___________meaning.
a. moralized
b. Classical
c. humorous
d. uncertain