Chapter 17 (The Late Renaissance and Mannerism in Sixteenth-Century Italy)
1. Parmigianino worked in the ________ style.
a. Classical
b. Baroque
c. Mannerist
d. Neoclassical
2. The church of San Lorenzo was the _______family church.
a. Borgia
b. Medici
c. Capponi
d. Riccardi
3. Pietà (17.3) was painted in the ___________style.
a. Mannerist
b. Classical
c. Byzantine
d. Baroque
4. The ___________was built to houses the bureaucracies of the Medici.
a. Laurentian Library
b. Uffizi
c. church of San Lorenzo
d. Palazzo Pitti
5. In addition to providing scenic vistas for the residents of the Palazzo Pitti, the
Boboli Gardens were often a ___________________.
a. stage setting for ducal events
b. place where important cases were tried
c. public area for petitioners to wait
d. place where models of new buildings were temporarily placed
6. When Bologna created The Rape of the Sabine Women (17.13)
___________.
a. suggested the title
b. he called it A Personification of Florence
c. he based it on the Roman myth
d. he had no specific theme in mind
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7. The Last Judgment (17.14) was commissioned by __________.
a. Pope Paul III
b. Pope Julius II
c. Pope Celestine II
d. Pope Urban II
8. The Palazzo del Te (17.24) is located outside the city of
___________.
a. Padua
b. Genoa
c. Mantua
d. Florence
9. Self-Portrait (17.30)?
a. It is unknown.
b. It is the name of the artist.
d. It is a visual pun.
10. The street-
by which monument?
a. the Pantheon
b. the Parthenon
c. the Colosseum
d. the Ara Pacis
11.
____________.
a. Milan
b. Florence
c. Pisa
d. Venice
12. Venus of Urbino (17.35) was commissioned by ________.
a. the artist
b. Pope Julius II
c. the city of Mantua
d. the duke of Urbino
13. Rape of Europa (17.36) were referred to as _______.
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a. Greek myths
b. poesie
c. tableaux
d. altarpieces
14. The Feast in the House of Levi (17.38) was changed by the
artist after being summoned by the ________.
a. religious tribunal of the Inquisition
b. Pope
c. city fathers
d. patron
15. In The Last Supper (17.39) the artist was especially concerned with _________.
a. making the figure of Christ larger than the other figures
b. making the room as dark as possible
c. making the setting in Italy
d. making visible the miracle of the Eucharist