Chapter 16 (The High Renaissance in Italy, 1495-1520)
1. ________ commissioned Raphael to paint The School of Athens.
a. Pope Julius II
b. Pope Leo X
c. The Medicis
d. Cardinal Giulio de′ Medici
2. Leonardo da Vinci’s The Last Supper was commissioned to decorate the _________of
the monastery of Santa Maria delle Grazie.
a. cloister
b. chapel
c. refectory
d. crypt
3. Michelangelo’s Pietà (16.12) is the only work _________by the artist.
a. painted
b. installed
c. described
d. signed
4. Raphael was buried in the _____________.
a. Pantheon
b. Parthenon
c. Markets of Trajan
d. Roman Forum
5. Which of the following techniques was not used by Leonardo da Vinci in the Mona Lisa
(16.7)?
a. the subject was in a three-quarter pose
b. the subject was in simple garments
c. the composition forms a stable pyramid
d. there is no landscape behind the subject
6. Who commissioned Michelangelo’s David (16.13)?
a. the Florence cathedral
b. the Medici
c. the Borgia
d. a committee of civic leaders
7. What scenes were represented on the ceiling of the Sistine Chapel (16.17)?
a. scenes from Dante’s Inferno
b. scenes from Homer’s Iliad
c. scenes from Vergil’s Aeneid
d. scenes from the book of Genesis
8. The figural composition of Raphael’s La Belle Jardinière (16.22) was influenced by
___________.
a. Titian
b. Leonardo da Vinci
c. Michelangelo
d. Giorgione
9. Bramante’s Tempietto (16.8) is located in ____________.
a. Rome
b. Athens
c. Florence
d. Milan
10. Michelangelo’s Awakening Prisoner (16.16) was originally intended for ____________.
a. the Sistine Chapel
b. the tomb of Pope Julius II
c. the Pantheon
d. the Tempietto
11. Titian’s Madonna with Members of the Pesaro Family (16.32) includes a
_____________.
a. sacra conversazione
b. self-portrait
c. political commentary
d. portrait of the pope
12. The Sistine Chapel (16.17) is located in __________.
a. Milan
b. Florence
c. Rome
d. Genoa
13. In Raphael’s Portrait of Pope Leo X with Cardinal Giulio de’ Medici and Luigi de’ Rossi
(16.25), the pope is represented as _____________.
a. a religious figure
b. a Franciscan monk
c. a collector and connoisseur
d. a painter
14. Marcantonio Raimondi’s The Judgment of Paris (16.28) is a(n) ____________.
a. painting
b. fresco
c. sketch
d. engraving
15. Giorgione specialized in ______________.
a. smaller-scale paintings
b. large scale landscapes
c. history paintings
d. altarpieces