Kosho’s portrait sculpture of Kuya Preaching (Fig. 12-16) depicts six small Buddhas
emerging from the monk’s mouth to represent his __________.
A. age
B. chanting
C. journey
D. conversion
How did the burial chamber at Igbo-Ukwu reflect the power and authority of the
deceased?
A. The individual was dressed elaborately, placed in a seated position, and surrounded
by symbolic objects.
B. The individual was surrounded by bronze heads, probably depicting his ancestors.
C. The individual was in a gold sarcophagus.
D. The chamber was filled with ritual objects that ensured his comfort in the afterlife.
In the eighteenth century, a truly Korean style of painting emerged known as the
__________ movement, emphasizing the study of things Korean, in addition to the