B. Michelangelo’s
C. the Greek’s
D. Lescot’s
Relief carvings on the Arch of Constantine (Fig. 6-65) demonstrate a stylistic shift in art
of the fourth century that was characterized by _____________.
A. fewer recognizable details
B. a two-dimensional, hierarchical approach to representation
C. closer adherence to Etruscan artistic traditions
D. Active, graceful postures influenced by Hellenistic art
The ________________ in Christ in Majesty reflects the Byzantine style.
A. natural proportions of the figure
B. convincing spatial recession
C. softly flowing drapery folds
D. modeling from light to dark in three shades