8. In The Legend of John Brown #9 by Jacob Lawrence, broad emphasis occurs because the twelve
figures ________.
a. are evenly balanced
b. have one dominant leader
c. wear completely different clothes in wacky colors
d. stand in height order, tallest to shortest
e. crowd around the figure on the left
9. The African-American painter Jacob Lawrence was inspired by John Brown, a Civil War-era
abolitionist who believed that slavery could be eradicated through armed insurrection. With this in
mind, what does Lawrence’s composition The Legend of John Brown #9 communicate to viewers?
10. This is the specific part in an area of emphasis to which the viewer’s eye is drawn.
a. subordination d. top
b. focal point e. composition
c. middle
11. In Dieric Bouts’s work The Coronation of the Virgin, the artist focuses the viewer’s attention on
the Virgin Mary—even though the Holy Trinity is present—by ________.
a. placing the Virgin in the center
b. directing all other figures’ eyes toward the Virgin
c. placing a dove above the Virgin’s head
d.dressing the Virgin in a different color to all the other figures
e. all of the other answers
12. The Russian artist Marc Chagall depicted the mythical character Icarus with bright colors on a
white background in order to ________.
a. subordinate Icarus
b. draw attention to Icarus’s fall
c. distract the viewer from Icarus’s fall
d. emphasize the smaller figures in the composition
e. None of the other answers
13. In the painting Landscape with the Fall of Icarus, by Pieter Bruegel, the artist intended to divert
our attention so that we barely notice Icarus plunging to his doom; a fine example of ________.
a. subordination d. tone
b. emphasis e. composition
c. focal point