1966–1969, Psychedelia | 91
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CHAPTER 7: Psychedelia
MULTIPLE CHOICE
1. “Turn on, tune in, and drop out” was the slogan of which proponent of LSD?
a. Timothy Leary c. Aldous Huxley
b. Brian Wilson d. Paul Kantner
2. Which book by Timothy Leary served as a guide to the experimental use of acid?
a. The Tibetan Book of the Dead c. The Psychedelic Experience
b. Astral Weeks d. The Electric Kool-Aid Acid Test
3. What was an important feature of music in its role as a drug trip and in achieving a higher state
of consciousness?
a. Songs became shorter to allow for a constant change in mood.
b. Musicians simplified their use of instruments on recordings.
c. Studio musicians used more drugs to achieve a specific sound.
d. Songs became longer and musical sounds more ambitious.
4. Both the Beach Boys and the Beatles were on which U.S. record label?
a. EMI c. Apple
b. Capitol d. AOR
5. All of the following musical features are found in “Good Vibrations” EXCEPT
a. a splicing together of different musical sections.
b. the use of tack piano and a Jew’s harp.
c. employing avant-garde, aleatoric techniques from classical music.
d. a harmonized chorus for a fade-out at the end.
6. Which two Beatles songs were released as a double A–sided single prior to Sgt. Pepper?
a. “Penny Lane” and “Strawberry Fields Forever”
b. “Strawberry Fields Forever” and “A Day in the Life”
c. “Tomorrow Never Knows” and “Being for the Benefit of Mr. Kite”
d. “Penny Lane” and “A Day in the Life”