8. Ternary form is represented by the diagram:
a. A-B. c. A-B-A.
b. A-A-A. d. A-B-C.
9. The compositional technique whereby a composer searches out a theme’s capacity for growth and
expansion is known as:
a. augmentation. c. thematic development.
b. diminution. d. ternary form.
10. The restatement of a musical idea at a higher or lower pitch is called a(n):
a. motive. c. theme.
b. sequence. d. ostinato.
11. The smallest fragment of a theme that forms a melodic-rhythmic unit is called:
a. a motive. c. a canon.
b. a sequence. d. a cadence.
12. A singing style that features a leader who is imitated by a group is called:
a. call and response. c. crossover.
b. ostinato. d. thematic development.
13. Ostinato, or the repetition of a short melodic, rhythmic, or harmonic pattern, is common in:
a. rock. c. jazz.
b. blues. d. all of the answers shown here
14. The separate sections of a large musical work are called:
a. songs. c. movements.
b. symphonies. d. chapters.
15. The term_______ describes a piece where no main section of the music or text is repeated.
a. strophic form c. variation
b. through-composed d. melody