Chapter 5: Musical Texture
MULTIPLE CHOICE
1. The interweaving of the melodic lines, or the relationship of musical lines, within a work is called:
a. harmony. c. texture.
b. meter. d. timbre.
2. A texture consisting of a single, unaccompanied line is called:
a. monophony. c. polyphony.
b. homophony. d. counterpoint.
3. The predominant texture used in Western music until about 1,000 years ago was:
a. polyphony. c. monophony.
b. homophony. d. all of the answers shown here
4. When two or more independent melodic lines are combined, the resulting texture is called:
a. polyphony. c. homophony.
b. monophony. d. heterophony.
5. A texture in which a single voice takes over the melodic interest while the accompanying voices
are subordinate is called:
a. homophony. c. polyphony.
b. counterpoint. d. monophony.
6. The texture in which all the voices move in the same rhythm is called:
a. homorhythm. c. homometer.
b. polyrhythm. d. polymeter.
7. The method in which a melodic idea is presented in one voice and then restated in another is
called:
a. inversion. c. retrograde.
b. diminution. d. imitation.