d) it depicts a Muslim woman in a black chador, a rifle dividing, and Farsi text
inscribed over her face
e) all of the above
24. What does Erna Motna’s Bushfire and Corroboree Dreaming depict?
a) a highly representational landscape
b) nothing, it is completely non-objective
c) a highly abstract landscape
d) a representational figure
e) a highly abstract figure
25. While Erna Motna’s Bushfire and Corroboree Dreaming is a very descriptive and, in
its way, beautiful painting which has helped to strengthen and revitalize religious practice
among Australian Aborigines, there is controversy about this type of painting. Which of
these statements best explains the controversy?
a) the colors are too vivid for contemporary minimalist aesthetics
b) the seemingly abstract marks are actually sexually charged
c) the paintings may reveal too much about secret ritual practice to outsiders
d) they commodify dynamic religious practices
e) c & d
26. Naturalism is a brand of representation in which the artist_______________.
a) abstracts what he/she is depicting, to varying degrees
b) retains realistic elements but presents the world from a personal or subjective point
of view
c) paints exactly, faithfully what he/she sees
d) works with ideas instead of images, creating purely non-objective artwork
e) paints in the nude
27. Which of these statements best describes Sesshu Toyo’s Haboku Landscape for
Soen?
a) the seemingly abstract marks, when taken as a whole, describe a landscape
b) it is a fairly typical Zen Buddhist painting that represents Sesshu’s feelings in
addition to being representational
c) it is a haboku (“broken ink”) painting that appears highly intuitive
d) all of the above
e) none of the above
28. When works of art like Kasimir Malevich’s Suprematist painting, Black Rectangle,
Blue Triangle, show no reference to the concrete world, it is usually called:
a) communistic
c) abstract
c) non-objective