13. In Europe during the tenth century, “lay” artists in cities began to gather themselves
into professional organizations, like trade unions, called ____________.
14. As seen in The Three Hebrew Youths in the Fiery Furnace, the frontal figures stand amid
flames with their arms raised in a position of ____________.
15. In the San Vitale mosaic of Justinian, Archbishop Maximianus of Ravenna and
Attendants, Justinian’s placement communicates his position as head of ____________
and ____________.
16. Characteristic of Anglo-Saxon metalwork, such as the Sutton Hoo purse cover, is the
use of a complex pattern composed of a single line that intertwines and overlaps to
completely fill the available space, called ____________.
17. The program of statues and paintings in the kondo at Horyuji makes the temple a
terrestrial representation of the Buddha’s ____________.
18. One common element of Islamic mosques from all periods is the marking of a wall
that indicates which direction Muslims should turn when they pray, called the
____________.
19. On the Buddhist Temple of Borobudur in Java, the inner and outer walls at each
level are covered with carved panels illustrating the path toward ____________.