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glorifies the natural beauty of all women and it has for thousands of years. “It is kind of New
Age, but what the heck…It’s ancient New Age”, says Lewis. Belly dancing has a significant
amount of antiquity to offer and it has been carried out successfully through the centuries with
old values that never lose their touch. The natural feminine physique is the most beautiful in
belly dancing and not much has changed since the ancient times.
Belly dancing exclusively pertains to women and how they would accentuate their
feminine qualities. Women are expected to move gracefully and work each movement into their
dance, even if it isn’t a part of the choreography. According to Andrew Hammond, “There is a
connection between belly dance and the ability of Arab women to carry things on their heads—
the pelvis moves freely while the head and the burden never move” (236). Everything in a
woman’s life is expressed through her dance and the story she tells with not just her hips, but her
eyes, ears, hands, chest, and feet as well. In Grandmother’s Secrets: The Ancient Rituals and
Healing Power of Belly Dancing, Rosina-Fawzia Al-Rawi expresses how a woman should look
and feel when portraying a certain emotion while belly dancing. “Open and alert, the eyes
experience all the excitement of dancing…The sensuality of dancing starts with the ears and the
sound in your ears keeps you upright,” (Al-Rawi 72-78). Posture seems important, but the
meaning of each movement stands above all. Each expression or movement conveys an emotion
that helps each dancer tell her story.
A dancer can divulge her mind and soul through her body language. She silently hints at
her story and lets the music do the talking. However, her costuming suggests who she is before
she even begins to dance. A deep history lies within belly-dance costumes and they have a very
strong relationship with both, the dancer and her disposition. In agreement with Margret Anne
Deppe, women tend to feel a certain way when wearing a particular outfit, as they would for any