Hartig 1
Gregory Hartig
Janet Myszkowski
ENGL 1102 (40447)
5/7/2017
Southern Gothic Literature: Short Stories of the Grotesque
When southern gothic literature is thought of, some big names like Flannery O’Connor
and William Faulkner come to mind. So, what makes their work unique enough to qualify for the
most dark and grotesque short stories of the deep south? “Characteristics that include deeply
flawed, disturbing or eccentric characters, ambivalent gender roles, decayed or derelict settings,
grotesque situations, and other sinister events relating to or stemming from poverty, alienation,
crime, or violence” (Marshall, “Defining Southern Gothic” 3). The very words that define
southern gothic literature are enough to make a reader want to jump into a short story such as
Faulkner’s, “A Rose for Emily”, and O’Connor’s, “A Good Man is Hard to Find”, and “Good
Country People”. These short stories are just a spec of the many brilliant short stories written by
these two authors, but are considered their best works by the readers who indulge in the twisted
plots and evil characters. Southern gothic writing, “in Simplest terms, the gothic operates as a
distancing: it mystifies the matter presented, removing it into an atmosphere detached from
social actuality and engineering a response alienated and unsympathetic” (Burns, “A Good Rose
is Hard to Find” 108). With defining characteristics such as the ones listed above, the stories
presented by the authors follow the presumption of revealing the problems of the south, by
developing complex characters and focusing on grotesque themes.
William Faulkner’s, “A Rose for Emily” has southern gothic literature well throughout
the story. The setting takes place in a creepy old house in Jefferson, Mississippi after the civil