Brown 1
Daniel Brown
Professor Cruz
Creative Writing 155
October 23rd, 2015
We’re Not Broken Anymore
In the world of comics, juxtaposition as a form of both artwork and storytelling has never
been more apparent or used as brilliantly as in Jeff Lemire’s latest work, Trillium. I spent a great
amount of time browsing the graphic novel section of Rivera Library here at UCR, looking
through book after book waiting to see one that shined brighter than the rest. I pulled out many
different comics, gazed over the covers and shuffled through the pages, but none seemed to spark
my interest. That is until I came upon Trillium. The cover itself was maddeningly engrossing,
with the upside down, space suited head of a girl over a war torn battlefield from the First World
War. The art style on the cover itself was thoroughly captivating, with much emotion and detail
seen in the characters that I had not even grown connected to yet. I flipped the book over, and
saw another beautifully drawn juxtaposition. The face of a tired, bloody 20th century soldier,
again upside down, over the scene of a lone female astronaut on a desolate planet. Just the cover
and back of the book alone pulled me in enough to sit down and read the novel. I myself am a
great fan of both science fiction and war stories, so the clear admittance of both into the novel
pulled me closer and spoke to me as a reader. On impulse, I quickly flipped through the pages
and saw exactly what I wanted to see in the artwork; gritty, violent, and realistically portrayed
scenes ranging from space flight to Victorian style exploration. From that moment on I was
hooked and knew immediately this was the graphic novel for me.