05/28/10
Final Research Paper
“Number 33A”€ Leonardo Drew, 1999; McNay Art Museum:
Upon first encountering Leonardo Drews “Number 33A,”€ one, unfamiliar to the different
types of artistic expression, may quickly become confused by the assortment of objects
and meanings compiled in his art. However, through further observation, one can begin to
determine the elements and principles of design Drew uses which enable the viewer to
develop an understanding of his work.
At 99x96x22 inches, the “Number 33A”€ is a three dimensional wall display mounted a
couple of feet above average eye level. Its size requires not only large wall space, but
extends out into the space of the viewer. The materials consist of; metal, tin boxes, wire,
shoes, canvas, wood, screws, and rust. The square based shape is formed by rows and
columns of 112 rectangular tin boxes attached to wooden beams. While these materials
give geometric shape to the work, organic shapes lie within. Scrap metal, crushed cans,
twisted wire, and old shoes fill each tin box. Rust is a prominent feature throughout the
piece, creating different shades of brown, black, and white. Actual texture exists as both
shape and color aid in forming the already rough and jagged materials.
The individual materials themselves are relatively small and each object different from the
next. Alone, the objects are proportionate to true size, some dominating others, but the
grouping creates a dominance as a whole and enlarges the scale. By distributing larger and
smaller objects throughout the entire piece, Drew creates an asymmetrical balance. The
viewer is presented with a variety of materials which are unified in the work by their
