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ABSTRACT
The structure and theme of Death of a Salesman have been separately studied by many critics.
The structure’s various aspects such as events, time, plot, etc., have been identified and
described by different but related terms. The themes, too, have been identified and described.
This study, however, takes a new approach to Death of a Salesman and reads it to show how
its structural elements interact to reveal the themes, i.e. to express the dramatist’s perspective
of the drama of the principal protagonist.
As there are two events in the play: present events and past events, or the past time switches
as we can also call them, we apply a reading strategy that involves evaluating the significance
of each type of event separately, and then evaluating their significance together as a whole.
In our interpretation of events and situations of the play, we use the linguistic concept of
‘context of situation,’ as it shows the dramatic function of the past time switches. More
specifically, our study understands the past time switches as the ‘context of situation’ for a
proper perspective of present events. We should mention, however, that we apply the concept
of ‘context of situation’ without using the technical jargon of field, tenor, and mode of
discourse, because using the technical jargon would take the study’s focus to a linguistic level
that would be distracting.
We first examine the structure of the play. Then, we read the present events alone, i.e. without
the past time switches or the ‘context of situation.’ When we do so, we find that the present
events of the play make an ineffective dramatic and thematic presentation though they
chronologically present the last twenty-four hours of Willy’s life, i.e. the protagonist’s life. In
a similar way, we read the past events by themselves. When we do so, we find them episodic.
That is, we cannot impose a time order on them, because the play provides little or no clue for
deducing a strict sequence. Then, we read the play as a whole, i.e. present and past events
together. When we do so, we find that the play’s dramatic and thematic significance becomes
evident.
The interaction between the present and past events, finally, paves the way for us to observe
the impact of Willy’s value system on his own life ultimately leading to his death. That is, it
makes clear the thematic issues of the play. All of Willy’s ideas about success and parenthood
are found in the past time switches. We observe that the dialectical sequencing of Willy’s past
in his present determines the attitudinal rubric of Death of a Salesman. The sum total of
Willy’s value-system, as it is laid bare in the past time switches, unleashes forces that work
against Willy himself and ultimately leads him to self-destruction. We identify these attitudi-
nal underpinnings to be Willy’s self-defeating dream of success, his sense of possession, his
sense of achievement, his agonizing guilt, his oversized self-image, and reality vs. illusion.