Gajda
elevators. Sixteen doors. Billions of white and green coffee cups. Factories and cookie cutters.
“I’ve got to get this dude out of my head”, I think. “No wonder he always seemed so distant”.
Last Saturday, I had to make a choice between proper and casual. More often than not, I
think that casual is more fun because it’s more impulsive. Taking a date to a fancy restaurant is
fun on occasion, but imagine if every date—or even a night out with friends—involved getting
dressed up and going to a five-star restaurant. That would get boring very quickly. At every
fancy restaurant I ever dined at, there was a routine, a pattern—a correct way and an incorrect
way to provide hospitality to guests. There is always a maître d’—this is correct. There are
always multiple courses—this is correct. There are always countless forks—this is correct. The
same holds true for art. There are rules that fine art needs to follow for it to be considered “fine
art”. Just like five-star restaurants, fine art is traditional and predictable. Traditional, “fine” art
follows the rules. The most notable rule in traditional fine art is that mistakes are not tolerated—
there is a correct way and an incorrect way to draw, paint, and sculpt. But why does there need
to be this distinction in such a personal thing? Why does creativity have to have rules? Andy
Warhol asked these questions about seventy years ago, and his answer was to pioneer a new style
of art. This style is called “Pop Art” and is characterized by distortion and repetition, that is,
mistakes. Andy Warhol is an artistic genius who changed the world of art with his brilliant
creativity.
Andy Warhol’s work is directly related to and catalyzed by the changes in society he has
experienced. Warhol lived through almost all of the major events of the twentieth centaury.
Born in 1928, Warhol saw firsthand the Great Depression bring the nation to it’s knees, World
War II and the economic rise of the United States, the uncertainty of the Cold War, the turbulence
of the civil and women’s rights movements, the peace and love of the sixties, and the horrible
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