Film Art: An Introduction 11th Edition

CHAPTER 1 FILM AS ART: CREATIVITY, TECHNOLOGY, AND BUSINESS IM 1 | 1 Copyright 2017 McGraw-Hill Education. All rights reserved. No reproduction or distribution without the prior written consent of McGraw-Hill Education. Copyright 2017 McGraw-Hill Education. All rights reserved. No reproduction or distribution without the prior written consent of McGraw-Hill

CHAPTER 10 DOCUMENTARY, EXPERIMENTAL, AND ANIMATED FILMS IM 10 | 1 Copyright 2017 McGraw-Hill Education. All rights reserved. No reproduction or distribution without the prior written consent of McGraw-Hill Education. Copyright 2017 McGraw-Hill Education. All rights reserved. No reproduction or distribution without the prior written consent of McGraw-Hill Education. Copyright

CHAPTER 11 FILM CRITICISM: SAMPLE ANALYSES IM 11 | 1 Copyright 2017 McGraw-Hill Education. All rights reserved. No reproduction or distribution without the prior written consent of McGraw-Hill Education. Copyright 2017 McGraw-Hill Education. All rights reserved. No reproduction or distribution without the prior written consent of McGraw-Hill Education. Copyright 2017

CHAPTER 12 Historical Changes in Film Art: Conventions and Choices, Tradition and Trends IM 12 | 1 Copyright 2017 McGraw-Hill Education. All rights reserved. No reproduction or distribution without the prior written consent of McGraw-Hill Education. Copyright 2017 McGraw-Hill Education. All rights reserved. No reproduction or distribution without the prior

CHAPTER 2 THE SIGNIFICANCE OF FILM FORM IM 2 | 1 Copyright 2017 McGraw-Hill Education. All rights reserved. No reproduction or distribution without the prior written consent of McGraw-Hill Education. Copyright 2017 McGraw-Hill Education. All rights reserved. No reproduction or distribution without the prior written consent of McGraw-Hill Education. Copyright

CHAPTER 3 NARRATIVE FORM CHAPTER 3 NARRATIVE FORM CHAPTER 3 NARRATIVE FORM IM 3 | 1 Copyright 2017 McGraw-Hill Education. All rights reserved. No reproduction or distribution without the prior written consent of McGraw-Hill Education. Copyright 2017 McGraw-Hill Education. All rights reserved. No reproduction or distribution without the prior written

CHAPTER 4 THE SHOT: MISE-EN-SCENE IM 4 | 1 Copyright 2017 McGraw-Hill Education. All rights reserved. No reproduction or distribution without the prior written consent of McGraw-Hill Education. Copyright 2017 McGraw-Hill Education. All rights reserved. No reproduction or distribution without the prior written consent of McGraw-Hill Education. Copyright 2017 McGraw-Hill

CHAPTER 5 THE SHOT: CINEMATOGRAPHY IM 5 | 1 Copyright 2017 McGraw-Hill Education. All rights reserved. No reproduction or distribution without the prior written consent of McGraw-Hill Education. Copyright 2017 McGraw-Hill Education. All rights reserved. No reproduction or distribution without the prior written consent of McGraw-Hill Education. Copyright 2017 McGraw-Hill

CHAPTER 6 THE RELATION OF SHOT TO SHOT: EDITING IM 6 | 1 Copyright 2017 McGraw-Hill Education. All rights reserved. No reproduction or distribution without the prior written consent of McGraw-Hill Education. Copyright 2017 McGraw-Hill Education. All rights reserved. No reproduction or distribution without the prior written consent of McGraw-Hill

CHAPTER 7 SOUND IN THE CINEMA CHAPTER 7 SOUND IN THE CINEMA CHAPTER 7 SOUND IN THE CINEMA IM 7 | 1 Copyright 2017 McGraw-Hill Education. All rights reserved. No reproduction or distribution without the prior written consent of McGraw-Hill Education. Copyright 2017 McGraw-Hill Education. All rights reserved. No reproduction

CHAPTER 8 SUMMARY: STYLE AS A FORMAL SYSTEM IM 8 | 1 Copyright 2017 McGraw-Hill Education. All rights reserved. No reproduction or distribution without the prior written consent of McGraw-Hill Education. Copyright 2017 McGraw-Hill Education. All rights reserved. No reproduction or distribution without the prior written consent of McGraw-Hill Education.

CHAPTER 9 FILM GENRES IM 9 | 1 Copyright 2017 McGraw-Hill Education. All rights reserved. No reproduction or distribution without the prior written consent of McGraw-Hill Education. Copyright 2017 McGraw-Hill Education. All rights reserved. No reproduction or distribution without the prior written consent of McGraw-Hill Education. Copyright 2017 McGraw-Hill Education.

Chapter 01 Film as Art Multiple Choice Questions 1. Which of the following is NOT one of the modes of production? A. Small-scale B. Conglomerate C. Independent D. Large-scale studio A. Small-scale B. Conglomerate C. Independent D. Large-scale studio A. Small-scale B. Conglomerate C. Independent D. Large-scale studio

Chapter 10 Documentary, Experimental, and Animated Films Multiple Choice Questions Multiple Choice Questions Multiple Choice Questions 1. A film is a documentary if it A. is labeled as such. B. records events precisely as they occur. C. contains no staged re-creations. D. consists only of verifiable truths. A.

Chapter 12 Historical Changes in Film Art Multiple Choice Questions Multiple Choice Questions Multiple Choice Questions 1. People today have difficulty understanding older films most often because those films A. operate according to different conventions. B. are not as visually well-crafted as modern movies. C. involve romantic plots

Chapter 02 The Significance of Film Form Multiple Choice Questions Multiple Choice Questions Multiple Choice Questions 1. What is the term for the relationships among the parts of a film? A. Pattern B. Form C. Structure D. Plot A. Pattern B. Form C. Structure D. Plot A. Pattern

Chapter 03 Narrative Form Multiple Choice Questions 1. In a narrative film, an element is nondiegetic if it A. does not contribute to the cause-effect flow of the events. B. is off-screen rather than on-screen. C. is not part of the world of the depicted narrative. D. is

Chapter 04 The Shot: Mise-en-Scene Multiple Choice Questions Multiple Choice Questions Multiple Choice Questions 1. Which of the following is NOT considered part of a shot's mise-en-scene? A. The actors' movements B. The camera's angle on the action C. Objects visible in the distance D. The shadows A. The

Chapter 05 The Shot: Cinematography Multiple Choice Questions Multiple Choice Questions Multiple Choice Questions 1. Technicolor was notable for A. its soft, warm pastels. B. its ease of use during shooting. C. its rich, saturated hues. D. its need for less light than earlier color processes. A. its

Chapter 06 The Relation of Shot to Shot: Editing Multiple Choice Questions Multiple Choice Questions Multiple Choice Questions 1. An ordinary modern Hollywood film typically contains about A. 100 to 200 shots. B. 5,000 to 10,000 shots. C. 40,000 to 50,000 shots. D. 1,000 to 3,000 shots. A.

Chapter 07 Sound in the Cinema Multiple Choice Questions Multiple Choice Questions Multiple Choice Questions 1. Sounds perform many functions in film including A. prodding the audience to form expectations. B. giving new value to silence. C. steering the viewer's attention within an image. D. All the answers

Chapter 08 Style and Film Form Multiple Choice Questions Multiple Choice Questions Multiple Choice Questions 1. What are salient stylistic techniques? A. Techniques that can be noted and named B. A confusing choice a filmmaker made C. The important techniques the film most relies on to create its style

Chapter 09 Film Genres Multiple Choice Questions Multiple Choice Questions Multiple Choice Questions 1. A genre's iconography consists of A. its typical plot patterns. B. its use of recurring themes. C. the sum of all its editing conventions. D. its characteristic objects, settings, and stars. A. its typical