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978-1259534959 Chapter 1
CHAPTER 1 FILM AS ART: CREATIVITY, TECHNOLOGY, AND BUSINESS IM – 1 | 1 CHAPTER 1 FILM AS ART: CREATIVITY, TECHNOLOGY, AND BUSINESS Chapter Outline Art vs. Entertainment? Art vs. Business? Creative Decisions in Filmmaking Mechanics of the Movies Illusion […]
978-1259534959 Chapter 10
CHAPTER 10 DOCUMENTARY, EXPERIMENTAL, AND ANIMATED FILMS IM – 10 | 1 CHAPTER 10 DOCUMENTARY, EXPERIMENTAL, AND ANIMATED FILMS Chapter Outline Documentary What Is a Documentary? The Boundaries Between Documentary and Fiction Genres of Documentary Form in Documentary Films Categorical […]
978-1259534959 Chapter 11
CHAPTER 11 FILM CRITICISM: SAMPLE ANALYSES IM – 11 | 1 CHAPTER 11 FILM CRITICISM: SAMPLE ANALYSES Chapter Outline The Classical Narrative Cinema His Girl Friday North by Northwest Do The Right Thing Moonrise Kingdom Narrative Alternatives to Classical Filmmaking […]
978-1259534959 Chapter 12
CHAPTER 12 Historical Changes in Film Art: Conventions and Choices, Tradition and Trends IM 12 | 1 CHAPTER 12 Historical Changes in Film Art: Conventions and Choices, Tradition and Trends Chapter Outline Traditions and Movements in Film History Early Cinema […]
978-1259534959 Chapter 2
CHAPTER 2 THE SIGNIFICANCE OF FILM FORM IM – 2 | 1 CHAPTER 2 THE SIGNIFICANCE OF FILM FORM Chapter Outline The Concept of Form in Film Form as Pattern “Form” Versus “Content” Formal Expectations Conventions and Experience Form and […]
978-1259534959 Chapter 3
IM – 3 | 1 Copyright © 2017 McGraw-Hill Education. All rights reserved. No reproduction or distribution without the prior written consent of McGraw-Hill Education. CHAPTER 3 NARRATIVE FORM Chapter Outline Principles of Narrative Form What is Narrative? Telling the […]
978-1259534959 Chapter 4
CHAPTER 4 THE SHOT: MISE-EN-SCENE IM – 4 | 1 CHAPTER 4 THE SHOT: MISE-EN–SCENE Chapter Outline What Is Mise-en-Scene? The Power of Mise-en-Scene Components of Mise-en-Scene Setting Costume and Makeup Lighting Staging: Movement and Performance A Closer Look: The […]
978-1259534959 Chapter 5
CHAPTER 5 THE SHOT: CINEMATOGRAPHY IM – 5 | 1 CHAPTER 5 THE SHOT: CINEMATOGRAPHY Chapter Outline The Photographic Image The Range of Tonalities Speed of Motion Perspective A Closer Look: From Monsters to the Mundane A Closer Look: Virtual […]
978-1259534959 Chapter 6
CHAPTER 6 THE RELATION OF SHOT TO SHOT: EDITING IM – 6 | 1 CHAPTER 6 THE RELATION OF SHOT TO SHOT: EDITING Chapter Outline What Is Editing? Dimensions of Film Editing Graphic Relations Between Shot A and Shot B […]
978-1259534959 Chapter 7
IM – 7 | 1 Copyright © 2017 McGraw-Hill Education. All rights reserved. No reproduction or distribution without the prior written consent of McGraw-Hill Education. CHAPTER 7 SOUND IN THE CINEMA Chapter Outline Sound Decisions The Powers of Sound Sound […]
978-1259534959 Chapter 8
CHAPTER 8 SUMMARY: STYLE AS A FORMAL SYSTEM IM – 8 | 1 CHAPTER 8 SUMMARY: STYLE AND FILM FORM Chapter Outline The Concept of Style Decision Making: Techniques Working Together Watching and Listening: Style and the Viewer Analyzing Style […]
978-1259534959 Chapter 9
CHAPTER 9 FILM GENRES IM – 9 | 1 CHAPTER 9 FILM GENRES Chapter Outline Understanding Genre Defining a Genre Analyzing a Genre Genre History The Social Functions of Genres A Closer Look: Creative Decisions in a Contemporary Genre Four […]
978-1259534959 Test Bank Chapter 1
Chapter 01 Film as Art Multiple Choice Questions 1. Which of the following is NOT one of the modes of production? Bloom’s: Remember Learning Objective: Understand the process of film production Topic: modes of production 2. A “work print” is […]
978-1259534959 Test Bank Chapter 10
Chapter 10 Documentary, Experimental, and Animated Films 1. A film is a documentary if it A. is labeled as such. B. records events precisely as they occur. C. contains no staged re-creations. D. consists only of verifiable truths. Bloom’s: Understand […]
978-1259534959 Test Bank Chapter 12
Chapter 12 Historical Changes in Film Art 1. People today have difficulty understanding older films most often because those films A. operate according to different conventions. B. are not as visually well-crafted as modern movies. C. involve romantic plots that […]
978-1259534959 Test Bank Chapter 2
Chapter 02 The Significance of Film Form 1. What is the term for the relationships among the parts of a film? A. Pattern B. Form C. Structure D. Plot Bloom’s: Remember Learning Objective: Define form Topic: form and pattern 2. […]
978-1259534959 Test Bank Chapter 3
Chapter 03 Narrative Form Multiple Choice Questions 1. In a narrative film, an element is nondiegetic if it Bloom’s: Understand Learning Objective: Understand how restricted story information affects viewers Topic: narrative 2. As defined by Film Art, a film’s “plot” […]
978-1259534959 Test Bank Chapter 4
Chapter 04 The Shot: Mise–en-Scene 1. Which of the following is NOT considered part of a shot’s mise-en-scene? A. The actors’ movements B. The camera’s angle on the action C. Objects visible in the distance D. The shadows Bloom’s: Understand […]
978-1259534959 Test Bank Chapter 5
Chapter 05 The Shot: Cinematography 1. Technicolor was notable for A. its soft, warm pastels. B. its ease of use during shooting. C. its rich, saturated hues. D. its need for less light than earlier color processes. Bloom’s: Remember Learning […]
978-1259534959 Test Bank Chapter 6
Chapter 06 The Relation of Shot to Shot: Editing 1. An ordinary modern Hollywood film typically contains about A. 100 to 200 shots. B. 5,000 to 10,000 shots. C. 40,000 to 50,000 shots. D. 1,000 to 3,000 shots. Bloom’s: Remember […]
978-1259534959 Test Bank Chapter 7
Chapter 07 Sound in the Cinema 1. Sounds perform many functions in film including A. prodding the audience to form expectations. B. giving new value to silence. C. steering the viewer’s attention within an image. D. All the answers are […]
978-1259534959 Test Bank Chapter 8
Chapter 08 Style and Film Form 1. What are salient stylistic techniques? A. Techniques that can be noted and named B. A confusing choice a filmmaker made C. The important techniques the film most relies on to create its style […]
978-1259534959 Test Bank Chapter 9
Chapter 09 Film Genres 1. A genre’s iconography consists of A. its typical plot patterns. B. its use of recurring themes. C. the sum of all its editing conventions. D. its characteristic objects, settings, and stars. Bloom’s: Remember Learning Objective: […]